The Creative Thinking Of The Morinhuur Music Creation

Morinhuur is a kind of the stringed instrument of Mongolia nationality, and has a long history. In the traditional society, the musicle instruments of morihuur have different names and different play mode Between different tribes. After the founding of new China,morinhuur art has developed rapidly and achieved success. This pattern of development may be referred to as a" professional " development mode. Music creation of morinhuur has made the most eye-catching achievements.This article will study the history stage delineated in the latter half of the twentieth Century in the Inner Mongolia region. Through the study of the Inner Mongolia area’s morinhuur music works, summary, summed up the creative thinking the morinhuur creative music. The creative thinking of morinhuur music is mainly divided into three categories:Melody thinking, thinking structure thinking and Tonality thinking. The final chapter attempts to elaborate its formation and which factors influence the creating of the morinhuur music.The melody writing thinking of morinhuur music can be divided into folk song style melody writing thinking(Include:long song type melodic writing thinking, short tone folk song melody writing thinking type)." horse running" type melodic writing thinking and Instrumental motivation type melodic thinking.The musical structure thinking of morinhuur music can be divided into: Tonality dominant form of structure of thinking and the structure of thinking with rate and rhythm as the dominant The tonality thinking of morinhuur music can study from two angles. The first to identify chord scheme morinhuur music in the common tonal relations. Second fiddle music from the passages between tonal relations and its layout mode of thinking.The final chapter attempts to elaborate music music is how the formation and factors affecting. In fact the main affected in three ways. Social development and the change of the times objective factors. The impact of foreign music culture as well as the creator of personal effects.