Linear Linguistic Diversity Of Contemporary Freehand Portraits

Article focuses on a wide range of expressions of line language in the contemporary freehand figure. Through some of the artist's work style, character analysed, The paper classifies to a variety of performance of the line languages and makes an objective evaluation to line linguistic diversity of the current. The first part of article is the introduction; For this part, it briefly introduce writing mode of this paper and macro-research of domestic from four aspects,such as study background, summary, method , innovation and shortage.The second part in the article Introduces the formation of subjective and objective reasons in a line linguistic diversity of contemporary freehand figure painting .On the one hand, painting as a group, which make a continuous attempt to how to use the line language in freehand figure drawing under the double influence of the West as well as the traditional painting ideas. On the other hand, paiting as enjoy the groups , their aesthetic demands make a corresponding requirement of the manifestations of freehand portraits and also have impact on linear linguistic diversity. The third part discusses the performance on diversity of linear linguistic. For this part is as important one , which select a part of representative of the contemporary artist and do the analysis and comparison by a certain period of time. The fourth part analyse the artistic value of line linguistic diversity., which is in favor of the expansion of the artistic expressions and enhancement of artistic expression. In the fifth part believes that the linear language of diversity is the natural occurring phenomenon that artist explores the expression of the painting. At the final conclusion show that the linguistic diversity of the linear development of a positive attitude.