Xinjiang's Natural Resources Effect On The Formation Colour And Develepment Of Xinjiang's Oil Painting Feature

Geographic resources are the important premise of formation of specific human enviroment. They also have close relationships with the formation and development of art in this area. From literature and art history, all the development of literature and art are inseprable with their geographic resources, such as aesthetic value judgments, psychological structure of groups of aesthetic, geographical aesthetic spirits. Among them, the formation and development of color aesthetic are an important aspect. The color aesthetics of human are psychological reflect to their own living environment at first, and then to their culture and religious.At last, a unique geographical color aesthetic was formed after the complex of communication and integration. So if you study the creation of oil painting, you should study from the formation and development of local color aesthetic, and study the geographic resources of local place.Xinjiang has special geographic position and advantadges: geomorphological features, totem worship, religious beliefs, the cultural integration of multi-ethnic and Qiuci mural art. The scholars at home and abroad are attracted deeply from ancient till now. The special geographic resources of Xinjiang provide us a unique aesthetic vision and rich painting resouces. But there is no particular study about the influncial factors of creating color oil painting from Xinjiang's resource.An artist`s work has close relationship with his living enviroment and educational background. The formation and development of Xinjiang's oil painting feature is closely related to its geographical resources, generally speaking, mainly including natural and human environment. This thesis mainly talked about the education of oil painting in Xinjiang and multi-dimensional Xinjiang oil painting.The nations in Xinjiang are good at creating. With the development of the unique history, these resources have been given the geographical profound culture. So we should study from these four aspects: Xinjiang's natural resouces,religious, the cultural integration and modern cultural education. This study of the aspects has important practical significance and academic value, especially for Xinjiang oil painting.