The Modern "Paranoia" Of Tradition Strings

Wang jianmin is a remarkable composer in China'nationality music instrumental creativity in recent years. He writes a large number of works and wins award in professional competitions at state level and provincial level. The third and the second Rhapsody is one of his representative works. Based on the analysis and induction of this classic work, we summed up Wang jianmin Erhu Rhapsody's creation idea, commonly creative technique as well as typical creative characteristics, and excavated urheen music creation'historical characteristics at present stage as well as analysis the connection between the creation and social,cultural.The introduction of thesis mainly introduces the composer and issue's research sauté, theoretical and practical significance, key and difficult as well as research methods. The first chapter of the third Rhapsody sorts out the overall framework, focuses on the music structures, modal adjustment layout and the modulation technique, grasps the overall features of music macroscopically. Chapter II comprehensive analysis the rich-melody patterns and the rhythm meter characteristic of the song, including melody's selection, development technique, rhythm meter's innovation. Chapter III explores the language of multi-musical part from the music part; study the relationship between the main musical instrument and the accompaniment musical instrument, the expression function as well as the acoustics'influence. Chapter IV studies the difference in playing techniques. For instance, the evacuation to the playing technique and new timbre, the master of the style during performance. Chapter V horizontally extends the research of the third and second Rhapsody to Wang's Erhu Rhapsody Series. We summarize its general character through anglicizing Wang Jamming the creation idea as well as comparing and inducing the creative way of Erhu Rhapsody and music characteristic. We elaborate rarity based on the Wang jasmine's Erhu Rhapsody (such as his contribution and impact to the erhu's creativeness.) and a series of socio-cultural phenomenon triggered from Erhu Rhapsody. The conclusion part proposes the author's viewpoint to urheen art in future development based on the combs, summary, reconsideration issue.Wang's works has positive exploration spirit as well as bright times significance. It indicates the direction for the 21st century urheen art's development and opens up new creation space. It is true that urheen's development and the progress are various. But regardless of its development, it is inseparable from the traditional "root". It is everyone's historic mission which develops toward the new times'multiplication path based on traditional root system.