The Artistic Characteristics Of Wang Jianmin's Four Erhu Rhapsody

As the third leap in the history of erhu art,Wang Jianmin's four erhu wild thoughts have become the representative works of contemporary erhu works with their characteristic musical creation concept and extremely high playing difficulty,and are the historical microcosm of the creation of modern Chinese folk instrumental music.It not only promotes the development process of Chinese national music,but also embodies the idea of creation of national instrumental music with his rich personality.Therefore,we take these four works as the research object,comprehensive analysis of their artistic characteristics in the creative and aesthetic aspects,to explore the current development of the field of national instrumental music.Combined with the previous research results,our research idea is to series the four erhu rhododons,the first part of the study is the four works of Western and used musical forms.By going back to the creative process of "One Mania" to "Four Madness",the author's deconstruction and reorganization methods of folk material,including the use of core tone,artificial scale,scattered theme,and the breakthrough development of his style,rhythm and tone in the process are the most personal part of his creative philosophy.The second part is based on the previous chapter on the use of music aesthetic methods,the four works of the emotional-based music content analysis,including the introduction and the Chinese color part of the tension of the rendering,slow plate part of the expression of emotion,as well as the expressboard and line plate part of the noble expression,which is from the aesthetic point of view of the overall performance of the work of the content of the analysis.The third part combines the contents of the first two parts to analyze Wang Jianmin's personal creative idea,discusses Wang Jianmin's understanding of the connotation of "ya huahua common appreciation",and explores the development of the current concept of folk music "de-folkization",as well as the spirit of the times displayed by the works of national instrumental music.The whole thesis aims to make a holistic theoretical analysis of the erhu rhapsoded series through our research,to gain a deeper understanding of the current development of erhu art,and to promote the continuous progress and development of the theory of national instrumental music theory.