The Interaction Between Northern Migration And The Yuan Dynasty Drama In Hangzhou

The south-moving process of Yuan Dynasty drama barycenter is also the spread process of it from north to south. and is also the interact process of drama redisseminators(writers, actors), the media (work, theater) and the acceptor (the audience). The dissemination of literature is not only constrainted by the social environment, but also influenced by the main disseminator's social psychology, ideology and value conception. So, the south-moving of Yuan Dynasty drama is the result of double interaction between the social environment and the main disseminator. Research on the development of Yuan Dynasty drama in Hangzhou, which needs to be placed in the environment of North-people south-moving, were investigated with a view of finding out the prosperity causes and decline trajectory of the Yuan Dynasty drama in Hangzhou.This article first analyse the social environment of the drama's south-moving process in Hangzhou, then to discuss the HangZhou's drama environment changed by the North-people south-moving and the drama south-moving condition provided by it, Secondly, the classification research on the growth of Hangzhou northern writers and the local authors, and the resulted in Hangzhou drama creative patterns; study the prosperity of spread of the singing-girl actress and column hook homes which are the drama's spread carrier and the perform sites ,and the audience sources brought by the North-people south-moving; further analysis the Northern drama's performance situation in Hangzhou, and the intercommunion and amalgamation with the South plays in repertory, tunes, and the integration system; analysis of a unique regional culture of Hangzhou's influence on the drama's creation, performance, development and its expression in drama works; discussed the internal and external factors of the Yuan Dynasty drama's decline at the end in Hangzhou. The author believes that the Yuan Dynasty drama in Hangzhou experience once again prosperity and then decline, but it also gestated a favourable turn of China's classical drama.