| According to"Field"and"Habitus"which are two core concepts in Bourdieu's sociology theory, through an interpretation of fields such as official political discourse, knowledge elite criticism , market commercial practices / the consumer demand of the public, this essay studied trends and changes of Chen Kaige's movie creation .The essay consists of five parts, each part of the main contents are as follows:The introduction,based on the concept of Field,the author aims at highlighting the relationship.Chen Kaige's movie creation will be placed in a range of relative territory ,and in order to more accurately grasp and analyze them. At the same time, the introduction of Habitus, the author thinks trends and changes of Chen Kaige's movie creation is a practice sample,that is, Bourdieu analysed multiple relation between Field and Habitus.The first chapter, the author analyzed Chen Kaige's movie artistic autonomy. Chen Kaige starts movie creation in the economic field whose feature is ineffective market. Under the protection of Planned Economy and the response-inviting of knowledge elite criticism, Chen Kaige's movie artistic autonomy could be established. However, the reality of political / cultural two-dimensional field requires Chen Kaige's movie artistic autonomy to superpose the official political discourse.The second chapter, with the development of market commercial practices with a strong force, Farewell My Concubine harvests both high artistic quality and box-office value.It is a win-win situation.But in fact, Chen Kaige still hasn't yet to really get to choose a broad path,where his movie artistic autonomy superpose healthy and long-term mechanism the official political discourse, market commercial practices / the consumer demand of the public as well. Thus, Temptress Moon, The Emperor And The Assassin, Killing Me Softly in the multiple cracks can be seen clearly.Although small cost of production Together has been self-restraint,blockbuster The Promise exposed multiple cracks.Chapter III discusses the official political discourse initiatively seeks to movie industry, some industrial innovation of The Promise achieved commercial practices with great success. However, The Promise is not a win-win situation. The embarrassing reality is a malposition that illusory The Promise ignores the consumer demand of the public. A Bloody Incidence Caused by A Steamed Bread renarrates The Promise and carry out compensatory reading, return to the consumer demand of the public.The conclusion of the essay is drawn as: as a more adaptive strategy for survival, market commercial practices becomes a new quality superposition of Chen Kaige's movie creation.It means that Chen Kaige movie artistic concept is getting perfect and mature. At the same time, the entanglement between Chen Kaige's movie artistic autonomy and market commercial practices heferonomy repeatedly highlights the fact that Chen Kaige has never been alienated the pursuit of movie artistic autonomy, and passively yielded to market commercial practices.Through panoramic view of Chen Kaige's movie creation, trends and changes are dominate and superpose.
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