From The Patchy Needle To Ground-breaking Axe

Movie is a combination of high technology and cultural art. During 113 years of brilliant long history of film, film stunt still goes with it. However, in the first above 70 years of establishment of genre, movie essentiality and ontology, film stunt just played a role of patchy needle. In the latter 30 years, because of the application of digital stunt, movie launches a severe revolution on movie ontology and appears unprecedented new space time. Thus, the miracle nature of movie eventually emerges above water and virtual aesthetics depends on huge wallop to challenge reportorial aesthetics. In the deconstruction of traditional audio-visual of film, the new system of audio-visual of film is now in construction and digital stunt has become an irreplaceable ground-breaking axe in producing the film.Applying the methods of induction and deduction, positive analysis and comparative study, the thesis hackles the evolution process of film stunt and the genre and styles of film. It focuses on analyzing that the deconstruction of digital stunt to film noumenon is revolutionary construction. Meanwhile, digital stunt is also a double-edge sword for movie. It not only creates the new brilliance of movie in the era of consumer entertainment, but hides fatal crisis and maze. In this way, focusing on humanistic deposits and flaunting art individuality is the mission of movie which can't be forgotten. Under the background of globalization and upon the collision and combination of the eastern and western culture, digital technology provides largo platform for nationalization and modernization of Chinese movies. It promotes the people to communicate affectionately in the world.Let the hearts of human beings fly in the dream of movies, while not the flying of movie in the substitution of hearts of human beings.