The Study Of Auspicious Patterns About CiZhou Kiln In Period Of Song, Jin And Yuan Dynasties

The family of CiZhou kiln is the largest system of the folk porcelain kilns in the north of China in Song and Yuan Dynasty. It included many kilns in Hebei, Henan, Shangdong and Shanxi provinces and formed a big family of kilns.CiZhou kiln is the place that products people's living apparatus, and the people are closely related and widespread.And it was well-known with the unconstrained, unaffected and plain.In recent years, some scholars whoare based on field work has conducted research and in-depth research of CiZhou kiln.They focuse on products, decorative materials, decorative techniques and technology research, etc.in some particular time or some kiln ,and propose many exquisite views.The article is based on the excavated data of kiln , tomb and referring the handed down vessels, and sorting out the Wares with coloured patern of CiZhou Family in Song Jin and Yuan Dynasty, and uses the reference with the predecessors'achievements. It made a preliminary attempt to explore its subject classification of auspicious motifs, phases changment, influence and its aesthetic characteristics, etc.The article consists of five parts.The first part is the preface that discusses the name of,history, distribution of klin and the research status.The second part is classes the subject of CiZhou kiln' auspicious motifs. It is mainly divided into Peter son of Yeonsu, Cyril fame, preventing evil disaster ,blessing and lucky , noble quality.And each category which is also sub-classifications, is described;The third part, combined with the above information, introduces separately the impact of Tang Changsha Kiln, Song, Jin and Yuan ' crafts, painting, calligraphy and other art forms .And auspicious motifs of CiZhou kiln affacts Ming and Qing' Qinghua ,Wucai,Doucai.The fourth part is aesthetic characteristics of CiZhou kiln' auspicious motifs, which is divided into the aesthetic taste of Truth, Goodness, Beauty; The aesthetic Purport of text quality unified;and the pursuit of the aesthetic ideal of harmony.Part V ConclusionClassing the subject of CiZhou kiln' auspicious motifs, the paper analyses the typical connotation of moral themes.From the Song, Jin and Yuan historical periods reflects the general characteristics,and more or less knows the emergence, development and the decline of CiZhou kiln' auspicious motifs . The previous kiln and the arts of the same period affacts auspicious motifs'formation.In order to determine CiZhou kiln' status in the development history of Chinese Ceramic Art.Analysing CiZhou kiln' auspicious motifs of aesthetic characteristics is to touch people's aesthetic sense at the time and know the impact of the arts.CiZhou kiln' decorative techniques are colorful; Decorative patterns are rustic, Chun-Hou andrich in folk flavor. The pottery shows strong vitality and produced a very important impactof China's ceramic art. Its national character, local character, artistic quality has also affected the world's ceramic culture, especially the development of Eastern Asia.