The Losing Like Dream

2008, the all of world was been sweeping by an unkind financial crisis. Especially the youth, sometimes were falling in the visional bubble so as to losing themselves, sometimes hesitated in the crossroad of life so as to be hard to move. These made us to think that there was the losing- whirlwind been blowing all over western countries in the first half of the twentieth century ever. The difference looked like be extreme just was the appendix of continuous history. If stripping the historical coat of the"losing", we could find, the core in human nature is still same for ever. It is also the profound proposition that the thesis tried to delve. Noteworthily, in"losing era", some"losing"persons always hovered within the"critical losing"like dream. Because longing to delve the"critical losing"that is a subtle human-nature proposition, the thesis trise to build the concept-system of the"critical losing", and chose three more representational writers in the period of two World War in the twentieth century——American F.Scott Fitszgerald,Germanic Erich Maria Remarque,Czechic Haek·Jaroslav——that hope to take the corresponding expatiation and three-dimensional anatomy from the visual angle of the"critical"with their classical writings, open out that three great writers how to outline the"losing"like dream in own hearts with their magical and wonderful pen.This thesis falls into four parts. Part one serves as an introduction to the reason of selected topic and innovative meaning. Part two is the first chapter, introduces completely the thought of the"critical losing"from the background in the era,the source of theory and so on. Part three is from the second chapter to the fourth chapter, particularly link the concept of the"critical losing", parallel with American F.Scott Fitszgerald,Germanic Erich Maria Remarque,Czechic Haek·Jaroslav and their classic masterpiece from historical source,individual experience,anatomy to production etc., so as to open out the"critical losing"of the delegate within the losing. Part four is the fifth chapter, compare three composers in landscape orientation, perfect the concept of the"critical losing"and try to dig the realistic significance of it.