The Comparison And Research Of The Basic Ideas Of The Chinese And Western Musical Aesthetics In Music Culture Spirits

The research of the Comparison of the Chinese and Western Musical Aesthetic Characteristics is a difficult subject in a brief thesis as follows. As we know now, the primary principal of this thesis is comparison, which is the methodology based on the research of the Chinese and Western musical aesthetics, especially the in-depth western musical aesthetics research. This thesis we will deliberate upon the primary characteristics of the Chinese and Western musical aesthetics, and then find out the differences between the Chinese and Western musical cultures by Comparison. In some sense, the Chinese and Western musical aesthetics and their cultures have something in common. But the Chinese and Western musical aesthetics and theirs cultures have many differences in musical categories and forms. By summarizing and comparing the differences of these two musical aesthetics ,we will focus on the key categories of the Chinese and Western musical aesthetics including harmony, artistic conception, sense and reason,which is to expatiate on the spirit of the Chinese and Western musical aesthetics—unity of beauty and goodness,multifunction, delight oneself and delight everybody. And by analyzing the theories of the Chinese and Western art practices, we finally will get some conclusions to help us succeed and developed the Chinese musical aesthetics .In the more extensive cultural meanings, it's helpful for us to find a better way to succeed and develop Chinese music heritage. This thesis is in pursuit of scientificity, standardization and seriousness, based on the related theories. The goal of this thesis is to investigate the music aesthetics in a holistic way.