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The Research Of The Relationship Between The Ci Of Tang And Wudai Dynasty And Southern Music

Posted on:2011-06-24Degree:MasterType:Thesis
Country:ChinaCandidate:X Z HuangFull Text:PDF
GTID:2155360302497973Subject:Ancient Chinese literature
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In this paper, the relationship between the ci of tang and wudai Dynasty and Southern Music is the main object of study. Through this research, reveals this kind of links how to affect the creation and artistic style of the ci. In this paper, a total of six parts:introduction, body and conclusion chapters.Introduction research brief, pointed out that the significance of this study and the basic idea.The first chapter, through comb the historical documents, analysis of the historical evolution and the Definition in Sui Dynasty of the Yan Music. Pointing out the broad and evolution meaning of Yan Music is led to the Scholars debate. Yan Music in Tang Dynasty include Dance music and instrumental music, is different from the singing music. Conviviality ceremonial purposes and political significance is the most inportent of Yan Music. Qingshang usic is also to be used and spread in Tang Dynasty, although Yan Music has emerged as a new type of music. But we need to pay attention to the complex relationship between the Ci Music, Qingshang Music and Ya Music.Chapter II, research QingShang Music evolution, the development process, Pointing out the south's features of QingShang Music. Further analysis the relationship between QingShang Music and Yan Music, reveals the links of Yan Music and south music. This chapter focuses on the integration of Qingshang Music, Yan Music,and Ya Music by music theory, and analysis Fa Music, to explain south music that represented by QingShang Music assimilate and transformate Yan Music, pointed out the importance of south music to ci.Chapterâ…¢, select "Hua Jian Ji" and "Tang Wudai Dynasty Ci" as source text to analysis, statistics the tune of this works used frequency. In the "Hua Jian", the most frequently used 15 tune name, the number of works for 61% of the total, and can identified 9 tune name is not belong to minority music but belong to Yan Music. In the "Tang Wudai Dynasty Ci", the most frequently used 40 tune name, the number of words for 66% of the total, including 20 have closely related to Qingshang Music. Results prove that the music of ci used have link to southern music.Chapter IV, the close relations between music of ci used and south music, have a great impact on ci's creation and artistic style. In particular, the ci groups showed obvious features of south, Southern Tang Dynasty and Shu Dynasty is not only a major source of the ci, but also represent the highest achievement of ci's artistic. In art, ci was tend to graceful style, as well as the use of uni body because of the south music.In conclusion, minority music and south music can be integrated with each other. In the process of this integrate in Tang Dynasty, Yan music is to be assimilated, transformed by Han music. Yan music, Qing music, and Xiliang music have close link, Southerners take advantage of south music, this has led to Rapid growth of ci in the south, which also makes showed ci of Tang Wudai Dynasty have obvious features in art and creation.
Keywords/Search Tags:Yan Music, QingShang Music, South music, Tang Wudai Dynasty, artistic style
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