A Study On "Cheng Cai" Dance Of Tang Dynasty In The North Koryean Court

Chinese music and dance as part of the Tang and Song Dynasties dance team, in its content, form and so have not been changed in the circumstances, music and cultural exchanges with North Korea came to the Korean Peninsula, and was known as the Tang Music Assumes. Tang Music Assumes was not only accepted, but also in Korea and North Korea during the Korean peninsula on their own Palace music and dance - the Rural Music Assumes Assumes was at the same time, the same space to form the pattern of coexistence, Palace music and dance for the Korean Peninsula and has added new cultures of music and dance. However, along with the time vicissitude, Tang Music Assumes obtained the recent development. With the rise of the Korean nation's main sense, Tang music was the only change in the role of the court music and dance, or a Tang Dynasty music was created before the sample, it becomes the source material of Tang music. which generated a lot of Korean national characteristics of the new Tang musice.This article attempted to takeing North Korea ancient times in the historical document dancing to music material as a center, entire is allowed Tang music in North Korea the process to carry on sequences, so as to present a more complete context. In the body of the paper the Tang music was first imported to North Korea and background analysis of the Tang Music Assumes was inported before.This was followed by the introduction of Tang music was before North Korea's historical trajectory and characteristics of inspection."History of Korea" in the records although relatively simple, but there are "drop Music," "Wuyang Music," "Lianhua Form" and "Present the Fresh Peaches " and "life extension" and other records in five dance spectrum. This is the earliest existing of Tang Music Assumes on the records, it is also the main part of this paper. This article takes this five dancing forms as the point ,to analyze the content ,the form of performances ,and then to analyze the basic characteristics of the Tang Music Assumes.the "History of Korea" in this dance for the five entry points, analyze its content, form and other performances, then analysis, it was Le Tang summarized the basic features. And "History of Korea" in the "Drum Dance" and "dynamic dynamic," "prejudice" and other Rural Music Assumes was for comparison.And carries on the comparison of the Tang Music Assumes to "History of Korea" in the "Drum Dance" and "dynamic dynamic," "prejudice" and other Rural Music Assumes.Finally, to analyze the flow characteristics of the track of Tang Music Assumes in Korean. With the lapse of time, the Tang Music Assumes spreads in the Korean Peninsula, finally formed the Tang Music Assumes with Korean Peninsula characteristics. North Korea early in the Korean and Tang Music Assumes were a large number of music creation, such as "The Gold Ruler", "Accept the Treasures", "Jin Tian Ting", "Shou Ming Ming " "the Favor of the King He", "He Sheng-ming," "Saint-taek" and so on.But the new creation of Tang Music Assumes was only the theme of the period although different, but they all praised China's Ming Dynasty and relevant, it has relation with North Korea and China in the early Ming dynasty's foreign relations are closely. North Korea and North Korea in the middle and late part of North Korea period Tang Music Assumes was only look at a new attitude, sense of national culture has been further strengthened. Creative works mainly by the "longevity-Dinner Dance," "Speech Pak Fuk Dance", "Dili Suchang" and so on. Their creativity basic form is similar to the Tang Music Assumes before ,but different in the the content creation and functions.In this paper, aims to analyze these Evolution of the Tang Music Assumes and compared with the Tang Music Assumes came to Korea during the Gaoli period looking for their similarities and differences.In this paper , it use the research method of the synchronic and diachronic, take the literature study angle of view and by the ancient times historical document as the main breakthrough point, to literature in concerned Tang Music Assumes as well as Korean National Minority dancing to music record, has made the inspection and the research.Especially for Tang Music Assumes was made to the original interpretation, verification and historical documents from research methods, from vertical to the Tang music was only by the capacity of the process of sequencing ; comparison of the use of research methods, in the horizontal on North Korea Dance and cultural exchanges, Korea during the Tang Dynasty music and Rural Music Assumes was before it was to compare and flow before and after the Tang music was conducted, in order to explore Tang Music Assumes was only the music and the Evolution of the Korean court music and dance in the impact and Spying on the Korean nation to Tang Music Assumes was the creative concept behind the Chinese and Korean music , dance ,the political, cultural exchanges and affecting the trajectory.