The Phenomenological Interpretation Of The Process Of Painting

The understanding of painting between common philosophy of Arts and the painting practitioners has great differences. The theory without practice is always not within one's power, while most of the artists'theories are scattered when they are expressed. To the understanding of painting, it is necessary to combine these two aspects together, because as a theory if there's not enough practice it will disjoint the fact, and seems renitent or barren. This article tries to understand the activity of painting and its final products——paints through the process of painting. Through the practice, we can understand that the ago painters concealed their inventing styles in their products. Also, we want to revert the real visage of painting as a kind of practice. So, we can only use phenomenological method. Phenomenology strives to come back to itself of the thing, and end the judgment with masks. This method is more suitable to inspect the process of painting, because we will try to describe the inner experience of the process, also we will be faithful to the seed of this experience. This article will begin with how a painting is created to explain the necessary of using phenomenological method to investigate the process of painting, by investigating the painter's intentionality. And then we will investigate the whole process by the relationship of the painter and his painting material, the supply of the sculpt elements and concrete elements in painting, the way of producing coherence between painting effection and production, and the understanding of the audience. By these phenomenal aspects, we will show the whole process of painting clearly and correct some deviations of the true painting in the painting theory.