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The Study On The Unified Logic Of The Mainland Movie And HongKong Left-wing Movice In The 1950's

Posted on:2011-11-30Degree:MasterType:Thesis
Country:ChinaCandidate:Y L SuFull Text:PDF
GTID:2155360302997396Subject:Film
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On December 19,1984, China and Britain signed China and Britain Joint statement. According to this statement, Britain will have Hong Kong's sovereignty to turn over China in July 1,1997, then Hong Kong namely became a special administrative region of China. Starting from this time, the mainland and Hong Kong made a fresh start of exchanging in the economy and cultural which have been blended by the dust-laden over ten years.On July 1,1997, Hong Kong returned the motherland. It was the first that the national flag of Peoplein's Republic of China raised in Hong Kong. It has been through over a hundred years, Hong Kong, with all night revelry, standed in the front of the world as a new posture. In 2003, the mainland and Hong Kong signed Closer Economic Partnership Arrangement (i.e. CEPA), since 2009 signed the sixth subsidiary agreement, that push the relationship between the mainland and Hong Kong. Not only reflected in the economical stratification plane, also urges us to ponder the culture and movie deep level relations and the fate.In this new century, the mainland and the Hong Kong have a same dream of "Chinese language film", in view of this, the article will study the history of movie in the 1950's, which once had reflected the close relationship between the mainland and Hong Kong, and that had been forgotten for a long time.In the 1950's, just bridged over historically in 1949, between the mainland movies, the Hong Kong movies also has the exchange which permits. In 1950's the English Government lead and new China established the official foreign relations, caused the left wing movie organization to be able to preserve in Hong Kong, take "ChangCheng", "FengHuang", "XinLian" as the example, at that time, they all have the very complicated relation with the new gaverment. Therefore, facing simultaneously exists in Hong Kong's the right-wing culture and right-wing movie organization liveliness, the left wing movie organization has made the positive response, they found the left wing movie company, has filmed large quantities of outstanding left wing thought movie, and opened the left thought in the publication to comment the position, two politics ideology reencounter impelled the Hong Kong movie culture development in Hong Kong, also the enormous influence Hong Kong movie has taken a stand in the next several year after thought.The article try to study the initial ten years, pursues the unified logic in the history, completes the reality anticipation in the new century. Because 20th century 50's mainland movie and between the Hong Kong left wing movie output presents surprising similarity. This article will carry on from the time partition form to it elaborated separately.This article altogether divides into six parts. The introduction part mainly elaborated the paper selected topic significance and the research value. Author has also express view from the individual emotion to this paper.The main text has four chapters. The first chapter analyzes in 1949 under the historical political pattern, around 1949 mainland movie pattern change, around 1949 Hong Kong movie industry development survey.The second chapter analyzes the movie from 1950 to 1952. This time mainland movie and the Hong Kong left wing movie common key word is:difficult, insistence. Has summarized some together "the sound appearance", the two place movie representative works in this time.The third chapter analyzes the mainland movie and Hong Kong left-wing movie from 1953 to 1955. The fourth chapter analyzes the mainland movie and Hong Kong left-wing movie from 1956 to 1959. the chapter content including "Double Hundred" emancipates the lively picture to the mainland which mind elaboration as well as the new Chinese ten years celebrate present on the work performance. Hong Kong aspect, then elaborated the Hollywood movie industry pattern "the vertical conformity" the thought to the Hong Kong movie, and even to Hong Kong left wing movie profound influence. But in the last part, the author still proposed two place movies "the sentiment" "thought" difficultly to break, elaborated two place movies explored the unity which in the developing process implied.Last part, then is takes this article center meaning expression the elaboration. This article tries the intravenous drip which displays from the mainland movie and between the Hong Kong left wing movie work to write an essay, discovers unified makings. Undeniable, two place movies have cannot shear the shed the cultural tradition. How no matter the Hong Kong left wing movie does develop the change, invariable is throughout a Chinese mood and the social thought.
Keywords/Search Tags:the fifties of 20th century, Chinese language film, the mainland movie, Hong Kong left-wing movie, the cultural tradition of movie, unified logic
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