The Aesthetic Inspiration Of Tang Mood Theory In Contemporary Painting Art

The mood theory is a core of Chinese traditional aesthetic categories, and stress the scenes and the form of unity, so that the limited, vivid, clear implication of individual forms of the infinite, rich, broad and deep artistic content, However, because of the Tang Dynasty's conception theory of the times will have a different character, in view of contemporary Chinese painting art thinking and reflect on various issues, selected the Tang Dynasty mood theory as a starting point, observe it in the Contemporary lack of and impact to gain useful lessons. This paper will first start with the formation of the Tang Dynasty mood theory, a brief analysis of the characteristics of the Tang Dynasty aesthetic conception, illustrates the need for contemporary painting in the Tang Dynasty Conception Theory reason, the Tang Dynasty theory itself has the characteristics of artistic conception and contemporary painting internal demand. Artistic Theory and the Tang Dynasty art of painting into the contemporary point of view, to pursue its development in the contemporary context. Then the status quo of contemporary painting analysis, described in the Tang Dynasty painting in the contemporary conception of aesthetic value, while this paper the problems of contemporary painting in the Tang Dynasty mood doctrines proposed solutions, to sum up contemporary China painting should take, performance and cultural characteristics, follow their own rules of art, showing their nationality to the use of Conception Theory.This article is divided into four parts:the first part of the most contemporary Chinese art art aesthetics, features and characteristics of the "Mood" missing in search of their Chinese contemporary art intrinsic "Mood" in the background and lack of reason, from an artistic background, respectively, theoretical research, aesthetic evaluation criteria, the five aspects of creative practice Tracing the source of the analysis of contemporary art "mood" missing status quo. The second part, the theoretical study of contemporary Chinese conception of course, can not sever ties with the traditional in this part of the aesthetic conception Tang discussed the formation and development of law context, explained the representative of the Tang Dynasty conception theory, focusing on the Tang Dynasty Conception Theory characteristics, in order to provide a theoretical basis for contemporary art. The third part discusses the research background of the Tang Dynasty mood and motivation and study practical significance. First of all, contemporary art from China and local development needs and calling the text corresponding to the national aesthetic spirit of traditional Chinese aesthetics, and the image of the Tang Dynasty Chinese classical aesthetic theory is that the central areas, with deep and rich content, conception of the nature of the Tang Dynasty and features represent the fundamental spirit of Chinese Aesthetics, Chinese contemporary art theory and writing practice has important implications. The fourth part is in the analysis and summary of the previous three chapters, the discussion of the "mood" and the Chinese contemporary art is the relationship between artistic theory and practice of relations with the Chinese contemporary artists to the theory that the essence of Chinese classical aesthetics guided writing practice and theoretical research work, the Tang Dynasty to contemporary art theory conception of artistic creation to a large blood transfusion, creation of contemporary art theory through practice summary, re-interpretation of the Tang Dynasty mood in the painting to maintain national character. This study discusses the significance of:"conception" doctrine had been born a thousand years, in particular, to a peak of development in the Tang Dynasty, China's art history it has played a significant role. But in the contemporary, highly developed material civilization, while the artists themselves are also attracted to the material world, the status of Chinese art is good and bad, a lot of famous works in the country has not been recognized by the world, trace their origins, it is our Arts missing the soul of our national art, "mood", so in the moment reviving "Mood", to re-establish the position of Chinese art, Chinese art of awakening the soul and thus a deeper understanding of the mood, the material developed in China under the re-carding the trend of modern art, has incalculable value space. With the growing nature of modern civilization by the people in servitude, ancient kind of intimacy between man and nature, the relationship between integration no longer exists, this change is also reflected in the arts, is more a work of art on human and description and reflect social relations, such works lack the conception and lost their charm. Because the mood is the charm of art, artistic conception is so artistic charm to show the important factor. Work of art is directly related with the mood, they talk of "Meaning" refers to the words, that is, to give people a wonderful experience of sense on the delight, with the implicit, ideological To wander characteristics. Environmental cooperation agreed with the emphasis on mood, this is the basic aesthetic art form, if there is no conception of real existence as a work of art, works of art in itself will not be able to some form of space is revealed. So in a sense, the conception of the talking, "meaning" is a work of art itself implies, "Habitat" is a spiritual realm of meaning creation. Works of art in Italy and the environment is always a unity, the two are inseparable, and the environment that produced by the Italian artistic influence is our most essential thing in Chinese art. The charm of art works from their own scenes and the virtual and real forms of expression and the lasting appeal brought by the acceptance of results. From the perspective of ancient Chinese philosophy that Nature and Man. In today's construction of a harmonious society of today, once again referred to "Mood" on the development of Chinese art has great practical significance.Chinese contemporary art ever changing, complex material culture, there has been unprecedented confusion, is the "international" or "nationalization" and "abstract" or "concrete" and so on, but no matter how appearance changes inside support is needed soul. Ontology of art is the most characteristic form, but the "type" not "form" is important in the "create"; most of the art is also space for art, artists have to create a "virtual reality." The ancients thought that all things for the gas accumulation was real, bulk was virtual, abstract, figurative, but also because everything is only just. As for the "between like and not like", which no doubt reflects the oriental wit, from inertia to meet the aesthetic and respect for material characteristics of view, after all, a recipe. So far the rich cultural heritage and the spirit of the trend vary from one person to decide the shape diversity means not only do not Jiaozhuguse, can not be with one, either from the real into the virtual, or by the virtual into the real... ...But no matter where to start, the real and deep and emotional realm of reach, but it is its soul. "From the good fortune, and in the body and mind", that is open to contemporary art in a good way to return to the spirit of the body in Chinese art, to find your true self, scene of cultivation are considerable, the immortal realm of wishful, not only one piece shell without a soul.Besides, since the reform and development of the arts in China since the group emerged to cater to foreign tastes lost art of the ethnic characteristics, this result has led to works of art in the loss of local cultural identity, loss of meaning in China. This works, neither to its own unique aesthetic quality of art arose in the forest, can not really get the public recognition of their own. To really get the world's attention, it must integrate the arts in China's own traditional things, the so-called "National is the world." On the artists hope to come back to the article is to re-examine traditional Chinese culture to be learned from the aesthetic elements of excellence in the traditional Chinese way of thinking about the future. A country or nation coming along by the history of ideas, morals, ethics, style, art, system, summed up is reflected in the culture, while the core areas of traditional Chinese aesthetics, and meaning. Therefore, traditional Chinese artists in the absorption process of aesthetic characteristics, work of art created in the "mood", is to create a Chinese flavor, there are key works of Chinese soul.