An Analysis Of The Farmer Images In The Artistic Works Of The Cultural Revolution

The "cultural revolution" is a special era. The"cultural revolution art "accompanied by history acts publicity as special's political tools. Farmer is a wonderful vocabulary; it represents simplicity, modesty and sincerity and is a poor side population since ancient times. Farmers as an artist keen object of a huge political tie with China. If we say that the early paintings of the founding of the performance of the main theme of the farmers is to be commended farmers qualities, then to the Cultural Revolution, as the farmer's image contains a rapid expansion of political factors, this time into a farmer's image to the performance of the publicity painted on the role of propaganda and political advocacy.This article is divided into four parts. This article is divided into four parts. The first chapter deals art farmer's image in the history of painting with the Cultural Revolution Art. From Cantonese to national content for performance become farmers in the form of tailor-made. In the 1940s by the builders of the villages to the cultural revolution in the sample picture art. Pointed out during the Cultural Revolution poster of the basic characteristics, especially in the early Cultural Revolution poster. The second part, highlight the Decade (1960s-1970s) painting peasantry in the Cultural Revolution. Peasants in the "Zaoshenyundong" and the "model operas" under the impact of creativity to move closer to the heroes, became the model for the painting, and on the crazy years art works great criticism and some important works reflected political tendency analysis. To summarize this period painting propaganda egocentrism of farmer's image. The third part, discusses in the image of the peasants during the Cultural Revolution art expressions. Art turned to a "professional, non-professional, non-professional specialization," creation, as art has contributed to mass popularity. Conclusion simple exposition of the impact and significance of art during the Cultural Revolution: Realism to expressionism in the transition period, the "reflection" has become the creative mainstream, the kind of "three stresses that" the higher grade, the "heroic mode" creative routines to the death of Mao Zedong in 1976, came to an end.In this article, this period works of art displayed in the image of farmers out of the mental outlook as a starting point. The image of the peasants during the Cultural Revolution in the Evolution of Painting course of the development process, and the transitional process of sorting out a systematic. On the one hand looking back on history, by the definition of the Cultural Revolution, art, background analysis, classification tap their artistic features, enrich and enhance the reader's understanding. On the other hand explains painting the image of heritage and development of farmers. Including the dissemination of research during the Cultural Revolution, reached its cultural connotation and aesthetic value. Li Ze-hou said: Chinese people are very seldom complete pessimism. They are always willing to optimism overlooks the future, even in extremely difficult environment. I hope that through such an art during the Cultural Revolution in the image of plain peasant studies, provide a useful material.