Analysis Of Jingchu Geometric Patterns

Chinese traditional geometric pattern is the pattern in the history of the first to enter the field of decorative decorative patterns, but also in the history of the most widely used Chinese decoration, decorative patterns of the most active. This is the first system of strong regional characteristics, characteristics of the development of Chu geometric patterns decorated the academic flow. Hope to find Chu geometric patterns on the development of changes in exploration, as in the rational use of modern design to provide reference for Chu geometry.Warring States Period, Chu culture is representative of the Southern civilization. It is in the Huaihe River Valleys of South China, and flowing out of the brilliant art of the romantic spirit of the Gao Yang, from books to Qigui Chu mysterious lacquer, from the beautiful myth of the Chu Tomb of silk manuscripts, from the grand ritual music and dance to the same grand " Picture Amid heaven, earth gods, Qi-Wei Yu crafty, "the ancestral temple murals, from the warm romantic spirit of the Chu culture and art flag, fluttering in the South China poetic manner.In the context of Chu culture, no matter what kind of art, all bears have the original vitality of the traditional romantic fantasy. Chu Chu graphic patterns as an important part of culture and decorative arts, to a certain extent, reflect the aesthetic of art Chu Design concepts and ideas. Chu patterns of development and rheology are also socio-political, cultural and ideological changes in development in the reflection on the arts and crafts. In this paper, geometric patterns Jingchu for clues, through the development and evolution of Jingchu geometric patterns, graphic patterns produced by pairs of Jingchu social background, the technological level of production factors such as research, reading patterns Chu graphic design idea to explore its unique graphic patterns of cultural value and significance, and can explore the culture of modern graphic design Jingchu useful enlightenment.Full-text is divided into five chapters, the first chapter of Introduction to clarify the research background of this topic, purpose and meaning, content and methods of study and research the status quo. The second chapter mainly discusses the origin of vortex patterns and the moire and its development of the decorative features of rheology. Chapterâ…¢describes Jingchu geometric patterns were different kinds of objects in a decorative feature. Chapterâ…£mainly discusses Chu Graphic Design patterns meaning of modern decoration and future trends.