On The Choral Music Works Rearranged From The Mongolian Ballad

The Mongolian is a ethnic group of people who love singing; its ballad is extensive and profound. On the basis of the songs sung by people, the composer rearranges the Mongolian ballad. To get a better artistic effect and explore the deeper beauty of music is their direct aim of doing this. In terms of the rearranging methods, the composers have made arduous efforts in order to adapt it to the style of the Mongolian music and to explore the choral comp without accompaniment to its maximum extent and they have done a good job. Through the analysis on composing skills, composing significance and other aspects, this paper has summarized the current choral comp rearranged from the Mongolian ballad and made a simple conclusion. I hope it can propose some suggestions towards the latter creation. The paper's structure is as follows: The Introduction is a general description on the current creation and research. The first part is the analysis of the composing skills of rearranging the choral comp from ballad, which is the key part. In this part, the author has made deep analysis on four aspects including the processing of the melody and voice part of the choral comp rearranged from the Mongolian ballad, the rearranged choral comp's expansion and extension to the original ballad, the analysis of the musical form of the choral comp rearranged from the Mongolian ballad, the arrangement of its harmony and so on. The author tries to study the best way to combine the Mongolian ballad and the counterpoint without company. In the second part the author makes a thorough analysis of the significance of rearranging the choral comp from the Mongolian ballad in perspectives of musical creation, musical teaching and national music and puts forward the current deficiency so that we can have more progresses. The conclusion is a summary of the research object and its result.