Standing On The Edge Of The Oral Writing: The Poetess Wang Xiaoni And Her Oral Poetry

Wang Xiaoni, an important poetess in the contemporary poetry, has been persisted in writing for 30 years. She is always writing poetry by natural spoken language. And this kind of writing undergoes a process from spontaneous to mature. This article will take spoken language as an entry point to discuss Wang Xiaoni's poetry, overviewing the 3 histories of her poems longitudinally. It's trying to dig out the relationship reflecting each other between the poet's survive and spoken writing.The article summarizes the characteristics of Wang Xiaoni's spoken poetry by three areas. The first is her spoken writing takes the trivial daily life as the main description, constructed a unique aesthetic by the poetic excavation. The special sentence "I see" is the main view of the poetess's observation. It makes the daily life shown with the initial posture of things through the "look" to "see", with removing the significance attached by historyl and culture. The second is that her poetry images are cut off the universal connection which the sembol depends on, and are played down the culture color and significance. This process is mainly reflected in the poems of two core images: significance's migration of the sun and the bird. The final is daily life in this poetic world has been able to successfully reproduce, lies in the poetess takes it into vivid language images through language sense vernalized each other with spoken language, and formed a plain, concise, smart oral style.Wang Xiaoni is able to walk in the forefront and edge position of contemporary poetry writing throughout with an independent posture, because she always approaches to the oral language with non-value and non-utilitarian attitude, demonstrating the true and self-sufficiency of oral writing. This natural method and attitude, is just the most fundamental difference between she and other poets, thus shapes today's Wang Xiaoni.