Visual Writing Of Wang Xiaoni's Poems

Vision occupies a very important position in Wang Xiaoni's poetry,and “seeing” occurs frequently in her works.The poet visually showed his presence,revealing the visibility of existence and the external participation of the self.This "look" allowed her to witness the fleeting poetry of ordinary life.This thesis mainly discusses the visual writing of Wang Xiaoni's poems through the poet's visual mode,visual experience and poetry text fusion,visual restoration and transcendence.When talking about the poet's visual way,it is necessary to mention the mechanism of visual occurrence-the flesh.The body as a sensory mechanism has a very close relationship with the poet's visual writing.In visual writing,Wang Xiaoni uses the body as a link to develop on both physical and psychological levels.On the physical level,Wang Xiaoni's poetry writing presents a holistic perception that is dominated by vision and supplemented by other senses.The "seen" that occurs at the physical level reflects the physical vision of the poet.This kind of physical vision,while making poetry with modern features,echoes Merleau Ponty's physical phenomenology.In addition,the poet's vision also occurs on the psychological level: one is the perception of time(rhythm)by the mind;the other is the inner vision of the poet,which fully exerts the role of the “third eye” and clearly shows the internal vision.Imagined the picture and psychological illusion.Secondly,the poet coordinated and connected the visual experience with the poetry text,so that the two naturally fit into the poetry text.The poet realizes the textualization of visual experience through the textual presentation of visual images and the relationship between visual experience and text structure.Regarding the textual presentation of visual images,Wang Xiaoni mainly retains the characteristics of the visual picture "painting" in the poem through the relationship between the color and the theme emotion,and the use of the white drawing technique.In the relationship between visual and poetic texts,the opposites and contradictions of the poet's "seeing" have created a sense of meaning within the text,giving birth to the tension of poetry.With the above two methods,Wang Xiaoni realized the fusion of visual experience and text in poetry.However,the poetic and aesthetic value possessed by Wang Xiaoni's visual writing has been greatly sublimated in the reduction and transcendence of “seeing”.In the reductive vision,it reflects the life aesthetics and daily poetics that the poet holds.Reductive viewing is a kind of viewing that approximates the essence of visual objects.It is a simplification of the original meaning of things and a cultural concept.This kind of viewing breaks the boundaries between "poetry" and "non-poetry" and also establishes a new language order.The transcendence of the poet's vision is reflected in two aspects: one is the choice of the visual image and the size of the poetry pattern,and the vast text space is opened up with the microscopic image;the other is the poetry built on the basis of personal experience.The visual image,the poet transcends the inherent meaning of the visual image in the works.In this transcendence,she found the freedom of the world and "I" that belong only to "I".