Repeatedly Changing Appearance, Invariable Spirit

In this paper, Huang Yongyu works of art begin to write his "people" to write his life, his artistic achievements. His work experience by Western Hunan folk culture and folk culture of nurture. Chinese painting originated in the initial awareness and understanding in order to Huang Yongyu of works of art, analysis of his work has shown his personal character traits. From his artistic creation, change and development, and summarize repeatedly change only a work of art outlook has not changed is our oriental art spirit.From his artistic style and the spirit of oriental art origins between the start, with a view to elaborate on his intrinsic and cut into the arts and humanities, "the face of repeated change agents, does not change the spirit of The thesis topic of his art work is how to breaking the spirit of oriental art, and from five aspects out his work of art the spirit of oriental art and cultural accumulation, and Oriental art and Western art from the different characteristics of both a comparative analysis of his art works, elaborated on his work in the reference and absorption of Western art bit by bit, gradually sum up his work of art is ultimately inseparable from the spirit of oriental art by infested. Linked to the talk of China's landscape is how to develop arts and culture of China's fine traditions, namely, how to inherit and carry forward the fine tradition of arts and culture, looking to learn the factors that, by Huang Yongyu works of art analysis, and analysis of western art learning bit by bit, he put forward Some exploratory observations, in order to do their own creative theoretical thinking.This paper is to try from a new starting point, that is, from "the face of repeated change agents, does not change the spirit of point of view, the use of in order to Huang Yongyu works of art, represented by the image analysis approach to resolve. Through his work blog description and analysis of the image to reveal the changing face of his works, the same is implied in works of the spirit of oriental art. The spirit of traditional culture and the spirit of the times combined with a modern sense to find an entry point, and ultimately contributed to the traditional art of the value of the conversion of resources to the era.The reason why learning Mr. Huang Yongyu and his works, nor whim. First, from the instructors inspired and recommendations of the two stems from the learning and the creative process in the sentiment. After studying ancient and modern classics, and in their own creative process in the repeated scrutiny. Conclusion section overlooking the full text of his works of art presented by the "who changed the face of repeated, does not change the spirit of to be summarized, but also give yourself some inspiration for future creations. So own spirit of oriental art in the use of landscape has a more comprehensive understanding of, and used as a basis for future learning, creating a platform for thought.Choose Huang Yongyu works of art as its own Title cut into the object of study, is because he himself was a native went to Hunan Fenghuang town, do in-depth and meticulous research, get some real, reliable and valuable first-hand information.Guidance of independent research work by the results achieved. Except for reference to the contents of the already stated, this paper does not contain any other individual or group has published or written works of the results.