The Pivotal Theory Of The Literary Mind And Carving Dragon In The Field Of Lacan's Theoretic Vision

In the study on The Literary Mind and Carving Dragon, though the study on "literary pivot" has achieved a lot of fruits, their views had a very great differences of opinion and there is no conclusion in academic circles. The thesis is intended to interpret Tao,Saint, Writing and their relations in The Literary Mind and Carving Dragon in the field of Lacan's theoretic vision, and Looks forward to make a new interpretation to "literary pivot" in The Literary Mind and Carving Dragon.Introduction tries to find fusion point of two theories from the point of the relationship between language and psychology, and turns it into a key to open "literary pivot" deadlock. The thesis can be divided into two main parts. In the first part, the thesis discusses the creative dominant ideas of LiuXie through the analysis of Wei Jin culture and psychology in the field of Lacan's theoretic vision. The thesis points out that Wei Jin metaphysics was only one signifier chain there is no end. Lost signified led to metaphysics lost significance. Therefore, reconstructing phantom naturally became LiuXie's creative dominant ideas. The second part makes a new interpretation to Tao, Saint, Writing and their relations in the concept of Lacan's Real, Other as well as the Unconscious. Tao, as the origin of all things, is human desire in fact. And it is the lost existence in the ontology. Saint is omnipotent and owns the absolute authority. He is the principal construction of the social order and essential alien existence in individual subject. Classic is a transcendental signifier and in the unconscious position. And it is the whole nation's cultural unconscious. LiuXie's "literary pivot" shows that Writing, as a Classic, is in the status of unconscious. Writing is the product that Saint or Other has being pursued impossible Tao or Real relentlessly.