Research On Hu Feng Faction's Poetry In 1950-1970s

During fifty to seventy of Twenty Century, comparing to the mainstream revolution literature, Counter literature, as a fringy part of orthodox literature history, is hardly to be touched, mostly just mentioned a little in textbook, which does not mean there is no presentable literary work of non-mainstream, but people are lack of enough and profound understanding about that period. Stepping into new age of history, people lucubrated into literature of fifty to seventy last century repeatedly, especially researched and explored into literature phenomenon of that period, just like most people concentrates on the scholars'political experiences and literary theories of Hu Feng faction, instead of their poems all the time. This paper aims to make further explanation to poetry writing of Hu Feng faction in 1950-1970s, also evaluate its historical situation and contribution to Chinese Contemporary Literature through careful reading and thorough analysis of poems, focusing on two stages of poetry creation, one is in the early days of foundation, and the other is after the inequitable case of Hu Feng.The introduction is mainly to determine the scholars of Hu Feng faction, who are suffering because of inequitable case of Hu Feng in 1955. They are original "July" poets, who insist creating poetry even insulted, purchase freedom and dream, whose works are holding fight with reality.Chapter one, poems of writers of Hu Feng faction in the early year of foundation, are consistent with mainstream in sentiment and style, which manifested domestic and foreign milestone in content and expressed blazing and sincere love of hard-won new China and new life. Partial of their works have personal voice, although it sounds that weak comparing with the chorus.Chapter two, poems after the inequitable case of Hu Feng, existed in style of potential writing, which filled with profound experience of suffering and reflected their new main body approval under stress of power and belief. the poetry appear repeatedly the disabled image, as well as have extremely satirizes the implication the crazy characteristic, which is with the purpose of complaining and revolting the black and white inversion at that time, fortunately, they were still eager to freedom and dream.Chapter three, from poetry view, it is found that poems during fifty to seventy are not only inheriting and deepening the revolutionary realism of thirty's, even May Fourth Movement, also have some certain symbolizing color. Moreover, in the poem body aspect it has the free verse written in the vernacular and the verse in classical forms together.In a word, as a absolutely important part of non-mainstream at that time, poetry written by writers of Hu Feng faction, has significant meaning in both writing itself and literature history.