Quietly Watch Inner Beauty And Mystical Contemplation

This thesis inner beauty spirit as the argument, the main emphasis on the inner spirit of art; emphasize the artist's cultural and artistic accomplishments; stressed that China's oil from our nation's fine cultural absorb nutrition, exploring the prospects of independent development. Although the painting came from the West, not the product of our own culture, and, western oil painting also has a way different from the Chinese art of aesthetic and performance measures, however, from the comparison of Chinese and Western art, we can see that, fundamentally speaking, is the art of no essential difference. Western artists have stressed the intrinsic spiritual value of art; stressed the independence of the artist and creation of awareness; stressed that art and knowledge of their own emotional expression, the only difference lies in the use of specific materials, techniques and forms of problems. Therefore, the emphasis on our own to carry forward the fine traditional culture and inheritance, not only for the development of Chinese painting is not contradictory, but complementary.Expand article is divided into three parts: Introduction, the theory and conclusions.Preface outlines the development of Chinese painting for centuries profile, and their predecessors in the development process is still made several controversial points, such as: the Nationalization of Chinese oil paintings, Chinese oil paintings Localization, impressionistic painting problems . This paper summarized previous experience gains and losses based on the re-drawing " inner beauty " point of view, that is the main argument of this article.On the part of the four chapters: the first, a description of the current and Analysis of several arguments and the inner beauty spirit of historical value; second chapter, the development of aesthetics from the comparison of Chinese and Western philosophy, and emphasis the spirit of inner beauty for cultural values; Chapter, and Western artists from the 20th century's understanding of art in the search for self-regulation within the beauty and the laws of Art; the fourth chapter, contemporary Chinese painters should possess several aspects of inner beauty . From the four with the level of inner beauty spirit made a more comprehensive exposition. In the first chapter, is divided into two sections: (A), inner beauty and the spirit of inner beauty (B), several points of the current exposition and comment. In the first section, From the etymological point of view briefly explain the originang of inner beauty ,and the meaning of the spirit of inner beauty . In section II, there were five of the current point of view: 1, China's "oil nationalization" of Question 2, China's "oil painting native" to question 3, "Image Painting" problem 4, "realist painting" issue 5 " Contemporary Painting ".in the emergence and development were described and the assessment, sum up their experience and gain or loss, draw emphasis on" inner beauty "and the historical importance of the spirit. In the second chapter is also divided into two sections: (A), overview of development of Western philosophy and aesthetics; (B), overview of development in china of the philosophy and aesthetics .Each section is divided into three parts, Section I, including: 1, classical painting time - rational speculative stage; 2, Essence of beauty and value of the negative change; 3, a sense of deep spiritual crisis . From the perspective of history and cultural development of Western aesthetics characteristics, the development of the law, since the 20th century Western aesthetic nature of the conversion, as well as the development of Western social science and technology impact of the traditional Western values, and ideas on human beings and the impact of Western artists to make a brief elaboration. Section Aesthetics in Chinese philosophy also includes three parts: 1, immethodical, Means complete 2, Western Learning, Chinese and Western; 3, immortal vitality. In the first part outlines the philosophers, Buddhism and Neo-Confucian thought results. To compare the aesthetics of Chinese philosophy is completely different from the rational debate of cognitive style. Philosophy and aesthetics of Chinese classical sensibility, emphasizing the integration of one subject and object, emphasizing the nature of spiritual experience and spiritual well-being. Therefore, the development of Chinese philosophy, aesthetics is completely different from Western law of negation of negation, but showing a succession of constantly being in the fulfillment and perfection of features. Both modern times and culture of our country suffered a serious blow to the West, China's progressive intellectuals not forget our fine cultural traditions of Chinese and Western cultures on the basis of integration form the "Art of Life" and the "art of life" of Life aesthetics, in order to achieve earthly life in the spirit of comfort and relief to the avoid the path of Western spiritual crisis. In the third part of the.From the Chinese traditional culture and modern Western philosophy Aesthetic results confirm each other, we can see the art of traditional Chinese culture immortal vitality. Chapter III, from the 20th century Western artists art self-discipline knowledge in Rhythmic within the beauty law, including the three sections: (A), the Chinese art of all of training; (B), Chinese artists on canvas; (C), the European Masters Art.(D) ,The pioneer of chinese oil painers insisted in the spirit of inner beauty .Artists from the Western understanding of art and art of perception within the beauty spirit summed up the law, mainly in four aspects. Chapter undertaking the third chapter, these four aspects of a more comprehensive exposition. Chapter IV, contemporary Chinese painters in the spirit of inner beauty should possess several aspects of cultivation, Include: (A), independent personality and frame; (B), a profound traditional culture; (C), learning the art of non-Western perspective; (D), a clear sense of responsibility. Thus within the beauty of spirit to make a more comprehensive summary and explained.Conclusion: The spiritual home of the reconstruction. In conclusion, based on the above discussion, stressed the Chinese oil paintings carry forward inner beauty spiritual meaning in contemporary society. Inherit the spirit of traditional culture is not rigid, nor set formula, but the emphasis on improving the artist's artistic accomplishments and works of art spiritual realm; to play artistic influence life, influence social values. Modern philosophy, as summed up esthetician "Life Art", "art of life" of thought as to the painting of new development space, but also to the human spirit to rebuild their homes.