Talk About Chinese Traditional Painting Techniques Of Inheritance And Development

The turn of the century, humanity is in an unprecedented inclusiveness and developmental Shared with the achievements of human civilization and western political economy and culture blend information has influence in every corner of the earth.Hence, the traditional Chinese painting is also facing heritage and development, in order to adapt to the development of The Times and change.The traditional Chinese painting art, especially the survival and development of the situation and the culture of academic transformation, embodies several generations of various efforts and pursuit, but also has discussed topics offspring economist, has been the focus of today.How to recognize and evaluation of this phenomenon and its cause of formation, we should hold this kind of attitude? Take on these issues, I think that will be discussed.The traditional inheritance and development in the process of the development of painting has two kinds:one kind is the foundation of all creation is that learn traditional character creation, will naturally, and bound, not to accept the new concept of traditional, A view is not taken seriously, eager to traditional Chinese painting, the traditional thought of new is the biggest obstacle of the development of its own, and puts forward "against traditional is to inherit the tradition of best slogan, they think only reinforcing can bring new artistic aesthetic feeling. Actually it's artistic innovation and not to discard the traditional Chinese culture, we should be to the innovation of traditional Chinese painting power of inheriting and developing the western art, is the art of organic integration into the innovation and development of traditional Chinese painting.Based on the development of Chinese painting, traditional Chinese painting with qing far-reaching two school "four Kings", "four monk" as the breakthrough point of this topic research to make project, a contrastive analysis method, through to the four Kings, from four monk painting techniques, combining the theory form in recent years, the development trend of zai heritage and development. This clearer understanding of these factors, and the feasibility of contemporary and realistic significance.