A Comparative Study On The Development And Inheritance Of Modern Chinese Paintings In China, Japan And Korea

China is the first use of lacquer recognized country in the world. For the people, the lacquer has long been not just a simple manual skills, but also a symbol of national culture and spirit characterization, is steeped in the rich ancestors information to create intelligence and human history of cultural treasures, is ideal for the spiritual life of the Chinese nation materialized form. Chinese lacquer culture has brought to Japan, Korea, Vietnam and Central Asia, West Asia and other countries, paint and cultural prosperity for the world and made an outstanding contribution.However, the old lacquer is facing economic globalization has brought the full impact of Western culture, lacquerware from the daily lives of people disappeared or are disappearing. However, in neighboring Japan and South Korea, lacquer has a form in order to be better preserved.Goal of this thesis is to complete the modern lacquer, Japan and Korea Development and Inheritance comparative study. Full papers will be local (especially the three East Asian countries:China, Japan and Korea) as the warp time (modern) as the weft start discussion on Japan and South Korea lacquer art in the modern development of detailed elaboration and comparison, and three in the same historical period, lacquer works from many aspects systematic comparative study. In addition, with regard to non-material cultural heritage lacquer attention in recent years, China has strongly supported the project with this thesis also attempts to contemporary Japan and South Korea as the traditional crafts lacquer inheritance and protection of detailed study and comparison, thinking currently in our country, including lacquer inherit and carry forward the traditional arts and crafts, including deficiencies and needs that exist in the direction of improvement.