The Resolve Of The Woman's Tragic Fate In Fangfang's Works

Fangfang is a well-known novelist of contemporary literary. Many readers and critics pay attention to her. Fangfang is a very individual young writer. In women writers, Fangfang is really different. Many commentators have pointed out that some of that she is different from the older writer Zhang Jie, Rong and others, also different from the pursuit of younger women who speak for women, but showed no interest in hypocritical beyond awareness. From the works of Fangfang is not difficult to find it is realistic essentially, but with a cruel and profound destiny. I mainly focus on the analysis of her works about the tragic fate of the theme of women's. She is a writer with a strong sense of historical mission and social responsibility. She explores a new path for female liberation. She is concerned about the modern confused women who in transformation period, and she wrote many rebellious images of women because of the tragic fate. She wrote the tragedy of a difficult fate in women's lives with a perspective which is different from the male, and she delineated a woman's psychological exquisite, engaged in women's critique reasoningly and deeply, and expressed the fate of a unique reflection on women with her earnest feelings of women.By depicting different women's tragedy, Fangfang displays a grand historical spectacle of women's fate in her novels.The depiction of women's collective fate reflects women's ineluctable tragic life under the oppression of androcentric discourse as well as the ending that human's mental world is pressed by the present world with no where to go. The paper consists of five parts. The introduction is a overview of Fangfang and the creative features and the literature review of her novels. Part 1 summarizes the living phenomenas of women with tragicl fate. According to the age of women in Fangfang's novels, it falls into four levels-- girl's desire and evil, young women's greed and pleasure-seeking, middle-aged women's indulgence and apathy and old women's wretchedness and sorriness. Part 2 displays the living paradigms of women with tragic fate. The feature of women's living is expounded from four perspectives which contains women's powerlessness in the face of androcentric consciousness and real world, their ignorance of life's significance and their cruelty to their parents and friends. Part 3 analyzes the subjective and objective reasons causing women's tragic life from four contradictions which is fantasy and reality, marriage and freedom, rebellion and secularity and mercy and selfishness. The conclusion gives a concluding evaluation of Fangfang's novels about women's tragedy.Fangfang's novels provides some prophetic view about how women cleave to their values and aviod tragic fate and make their lives more meaningful and valuable. On the other hand, in the history of contemporary fiction, Fangfang is definitely the scenery in the area of new realism fiction because of her specific style and dramatic expression of characters in a"almost no story"way.