The Structure And Types Of Category Of "Yi" In Chinese Classic Aesthetics

In the extensive and profound Chinese Classic Aesthetics system, category of "Yi" has an irreplaceable place for its unique, fruitful character and content. "Yiping" or "Yi Ge" in Chinese Classic literature and art (poetry, prose, calligraphy, painting, etc.) is often criticized in the highest grade. This dissertation uses the modern systems of hierarchy, combine with ancient Chinese culture tradition and in the background of classical Chinese system of aesthetics, enquiry the structure and types of category of "Yi" within the framework of ancient China. From the diachronic point of view, category of "Yi" from the "hermit","recluse" high hath born the way of life and character traits, developed into a kind of aesthetic concepts and aesthetic categories; "fleeing" the scope of sperm adhering to Taoism meaning, and Mixture of traditional Confucian and Buddhist Philosophy in some of the factors. From the synchronic point of view, combining ancient masters of the "Yi" category of the content of the statement, we believe that it contains six core aspects of aesthetics. Aesthetics in the entire system of classical Chinese, "Yi" category to "Dao", "Qi" in these areas based on their structural elements include the main conditions for creation and combination of both methods and the three aspects. "Yi" category in the context of different periods and the performance of the formation of enriched personality type associated with other aesthetic aspects, has led to many lower areas, we then analyzed the relationship between the performance of these individual, treat them as a "Seiitsu", "Fang" and "free and natural" areas of the three major sub-types, and thus make them elaborate.