The Study Of Zhuo Category Of Chinese Classical Painting Aesthetics

"Zhuo" is an important category in the history of Chinese aesthetics and an important part of the spirit of the Chinese nation.It infiltrates the essence of Confucianism,Buddhism and Taoism,presents the philosophical height and mature connotation of life.From ancient to present,the literati and elegant scholars worshiped "Zhuo" and still "Zhuo",followed the spirit of "Zhuo" in their pursuit of the way,and still flow in the blood of Chinese people,giving modern people a lot of inspiration for their lives.The review of "Zhuo" is an intuitive embodiment of the emphasis on internal beauty in Chinese classical aesthetics.It weakens the sensual pleasure brought by the exquisite form and makes the aesthetic spirit extend inward and enter the inner spiritual field.Under its unloved appearance,it contains rich aesthetic connotations.As an aesthetic category,"Zhuo" contains the aesthetic implication of return to the truth,intellectual freedom and truthfulness.It advocates nature without pretense,natural carving and emphasis on returning to the simplicity and truth of life.Thus created the aesthetic category of "Zhuo" this unique belongs to the beauty of the Chinese nation.However,the aesthetic connotation of "Zhuo" did not come into being at the beginning of its birth.Instead,it has experienced a historical evolution from derogation to praise and from negation to affirmation.In the art of painting,this change is even more obvious.The common law of art development is to pursue neatness and delicacy from clumsy roughness to return to primitive nature from fine and magnificent.In the early days of artistic development,"Zhuo" was a negative comment excluded from the aesthetic field,representing poor skill and poor painting.With the continuous updating of painting techniques and theories,people's understanding of "Zhuo" is deepening.At this time,the meaning of "Zhuo" has changed diametrically,and has become one of the synonyms of mature and pure painting art.From "Skillful goes first" to "clumsy is better than skillful","Zhuo" follows the historical evolution of art into the category of painting aesthetics,and gradually occupies an important position in it.Combining the "Zhuo" inthe national aesthetic spirit with the painting,which reflects the social temperament,explores the evolution and development of the "Zhuo" in the painting theory and the aesthetic implication that eventually appears on the painting paper,thus complements this theoretical blank.It has important theoretical and practical significance.In the present noisy and impetuous artistic creation and the spiritual level of modern people,calling for the return of "Zhuo" is also the requirement of the times.