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The Narrative Characteristic And Culture Studies Of Our Family Life Drama

Posted on:2011-06-08Degree:MasterType:Thesis
Country:ChinaCandidate:B DongFull Text:PDF
GTID:2155360308965331Subject:Radio and Television Arts
Abstract/Summary:PDF Full Text Request
Family life TV series refers to family life is subject to human emotion with the main line, to family members of emotional problems and contradictions of everyday life of the people to the content, performance of a certain value orientations and cultural connotations of the topic type TV shows. It generally use ordinary narrative and civilian perspective, by describing a normal family life, laid out in life there is always a chance of conflict, the audience watching during strong self-identity, as if they could find themselves or family members of the shadow, which together with the audience the emotional distance between. From 1990 the first novels indoor TV series Desire to begin with, now has starred in Golden Wedding ,Younger Aunt Duohe,living in deplorable conditions, family life, the theme of the TV series the charm of continue. By doing this, raised a great number of scholars on this phenomenon, and including the reason behind the deep mining. But even these academic achievements, most of the perspectives that are only narrative or literary theory perspective do unilateral analysis, hardly new. Although there are a handful of scholars is already in use interdisciplinary, multi-angle method, analyze family life drama of success, but very little from the Chinese traditional values and leads the Diversitypattern Theory to study. So, this article by analyzing some classic family life teleplays, try to find the causes behind the TV play successfully in common, from traditional aesthetic orientation and mainstream values start looking for the Chinese inside the"national collective unconscious ", Analysis of which contained the Chinese culture, and password respectively from Narratology angle of subject matter, perspectives and narrative structure, narrative psychological, narrative themes, etc., to identify these successful TV series behind the Chinese traditional culture and why these traditional culture in China and growth, and people of "collective unconscious". The answer to this, this article is intended to be from a new perspective—sociology perspective, according to Mr. Fei Xiaotong 40 's last century's Diversitypattern Theory, in-depth analysis of the difference in the pattern "of the social fabric and Confucian thought" rule "under the Chinese tradition of aesthetic and cultural trends and national mainstream values. And the Narratology theory point of view, and comprehensive study of China's family life teleplays narrative features and cultural implications.The structure of this thesis can be divided into three parts: the first part is the drama of family life in China's development. This section is divided into two parts, one is in the late 20th century—the family drama of development, through the analysis of the nineties of three classic TV series, "Desire", "Peking Man in New York","The happy life of Talkative Zhangdamin",a comprehensive analysis of family life teleplays throughout the development process of the 90 's and the narrative changes; The second is the new century—family drama of mature, through the analysis of"the Great Family "," Days of Enthusiasm "," Golden Wedding ",the six Classic TV series, summing up the Chinese family life drama into the development of a new century and the 1990s compared to similar teleplays, what development. The second part is the Chinese family life narrative drama. This section is divided into six parts, respectively from the Nations concerned about people's livelihood subject matter, the family life of ethical perspective, family conflicts, on the other, the beloved difference is in the details of the good feelings, and dilemmas and home and country-one of harmony topic, etc., comprehensive analysis of China's family life teleplays narrative features. The third part is the Chinese family life drama of culture. This section is divided into three sections, one is the achievements of "Native China", analyze Mr. Fei Xiaotong's Diversitypattern Theory; The second is the distinctive "Diversitypattern" narrative.Through the combination of sociology and narratology, found that contained "diversitypattern" narrative; The third is eager to harmonious sketches on telling, through the national collective unconscious "analysis, description in traditional morality and modern moral collision and fusion, the implication of the traditional ethics of TV shows have a preference, and traditional Chinese culture regression keen call.
Keywords/Search Tags:Diversitypattern Theory, Family life, Implied culture
PDF Full Text Request
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