Jingdezhen Blue And White Ming Dynasty Landscape Features Of Evolution Rule Of Decorative Arts Research

Ming dynasty landscape jingdezhen porcelain decorative decoration ceramics is one of the representative grain, since in the Ming Dynasty have been enduring, its abundant expression in the form and the mood, well people like. In this paper, different stages of the Ming Dynasty blue and white landscape decoration study of the art features as clues to the use of image science, fine arts and history research methods, by a large number of pictures, text, data collation and induction of the different stages of blue and white Landscape and Decorative Arts, and the difference between features and links. The blue and white landscape decoration is also here after generation, development and mature stages. According to the different characteristics of their arts, the Ming Dynasty Jingdezhen blue and white landscape decoration again divided into six different development periods, in different development period, along with the different cultural background, blue and white aesthetic sense of change and watershed techniques continues to mature, the expression of blue and white landscape decoration of the conception, composition and ink form of language is also great changes have taken place, and generally showing the expression of its conception auspicious meanings to scholars from the evolution of Tong, from the decorative to the composition of traditional Chinese painting the evolution of language with the blue and white pen and ink techniques in the development of the evolution of the changing law. In this study, the Ming Dynasty Jingdezhen blue and white landscape and Decorative Arts features a comprehensive study of a useful supplement, but also blue and white ceramic art for the modern development and innovation to provide a useful inspiration.