Study On The Decoration Of Blue And White Porcelain Plate In Jingdezhen In Ming Dynasty

In this paper,the time span of Ming Dynasty folk kiln blue and white porcelain plate was studied.From the point of view of decorative design,the decoration of blue and white porcelain plate in Ming Dynasty was studied.Civilian kilns not only produce goods for the audience,but also produce export porcelain.During the Ming Dynasty,the porcelains of the Ming Dynasty were dominated by the practical functions,and their ornamentation was simple and plain,with rich decoration themes and unrestrained decoration.In addition to the prosperity of commodity economy in the Ming Dynasty,the folk kiln gained considerable development,so that it had its own characteristics.Image study,comparative study,this paper,aimed at exploring folk kiln porcelain of Ming dynasty blue and white porcelain grain content,the characteristic,the adornment gimmick,etc.,thus further demonstrated that people kiln porcelain decorative pattern in the decorative characteristics of intraday.In the first place,the porcelain plate of the folk kiln was classified,and the modeling features of the porcelain plate of the folk kiln were sorted out.Secondly,according to the composition of the ornamentation in the blue and white porcelain plates,the structure and form of the design and the way of layout are analyzed from the perspective of design,so as to explore the characteristics of the formal beauty of blue and white porcelain plates.Finally,the paper demonstrates the characteristics of blue and white porcelain decoration in plate modeling,that is,it is attached to the shape and is relatively independent.The author through the study of Ming dynasty blue and white porcelain kilns grain,tries to explore the characteristics of the "blue and white porcelain kiln grain,to deepen the ceramic art in the field of design theory connotation of" decoration ",at the same time,prove the existence of adornment is attached to the modelling and,inspired by today's designers in ceramic design and creation should correctly handle the relationship between grain and shape,avoid to attend,to design more outstanding works of art.