A Study On The Blue And White Porcelain Of Landscape Figures Of Jingdezhen Folk Kilns In The Late Ming Dynasty And Early Qing Dynasty

This paper focuses on the image features of the scenic figures in the blue and white landscapes of Jingdezhen kiln in the late Ming and early Qing dynasties.The late Ming and early Qing Dynasty is one of the most important periods in the development of China's ceramic technology.Generally speaking,the academic circles call this period "transition period"".Blue and white porcelain is the most representative ceramic category in this period,especially the large amount of blue and white landscape painting,which has gradually become one of the main products of Jingdezhen kiln and sold at home and abroad.Based on this,this article in the late Ming and early Qing Dynasty blue and white landscape point of view characters as the main object of study,through the use of image science and art history research methods,researched the image features of late Ming and early Qing Dynasty Jingdezhen kiln blue and white landscape point of view characters,and try to summarize the image system.And further analysis and discussion of the social reasons for the emergence of a large number of blue and white scene figures in the late Ming and early Qing dynasty.After analysis,the author figures porcelain decorative pattern as the transition period of the most representative,Jingdezhen's blue and white landscape point of view character image is based on the above special historical condition and has a strong aesthetic implication,is the spirit of the times reflected material.