Study Of Spoken Parts In Li Yu's Librettos

With Li Yu's dramatic theory, the thesis research on spoken parts in Li Yu's librettos. It talks over the use, the history of artistic achievement and inheritance and development of Spoken drama explores of Li Yu.Thesis includes introduction, text and conclusion. The introduction elaborates the value of this thesis through the summarizing of the research status since the Qing dynasty in China of Li Yu. Text consists of four chapters. The first chapter research on the activity of spoken parts in Li Yu's 10 librettos using statistical methods, it reckon that the number of spoken text is more than the music's and play an important part in expression. It is used to descript the plot, pre-plot and mount suspense. The second chapter analysis the relationship between the spoken text and the music using method of contrast. It reckons that the spoken text explants and expands the music and play an important part in the performance of plot. It not only preserved ancient Chinese opera face well, but also conveyed the content to the audience of opera effectively. The third chapter analyzes the artistic achievement of spoken parts in Li Yu's librettos; reckon that it is distinct, salty and graceful. The fourth chapter analysis the predecessors as well as future generations of inheritance of the spoken parts in Li Yu's 10 librettos, think that it is the inevitable outcome of historical development and promoted the development of opera history. The part of the conclusion summary the view of the thesis.