"Death Of God" And "Carnival Gods" From The "Center Of Western Music" To The End Of The Revival Of Folk Music

This paper describes the "Western music centers on the" trilogy formed by the process, from the West their own "geographic center theory" to Europe, self-righteous "Western music centers on the" to "Western music centers on the" in China. To reflect on this history, made for the "Western Music Center of theory," deconstruction, which both for "Center for European music theory" criticism, another for the "American Music Center" theory challenged, as well as for the "Western Music Center On "in China liquidation. Concludes with the era of globalization, re-"discovered self" and then "beyond self", "Music in the West gradually," folk music "going out" concept.This paper is divided into four chapters: the first chapter is divided into three sections, elaborated on "Western music centers on the" trilogy formed by the process of "East Wind blowing West," The impact of Western civilization - from the "Location" On account of "self-ism" center theory; Europe through internal growth and external expansion has been established "self"; China under semi-colonial situation "forced brought with active choice." The second chapter is "Western Music Center" theory of deconstruction. Among these both for "Center for European music theory" criticism, as well as for the "American Music Center" theory questioned. The third chapter is for the "Western Music Center Theory" in China, clearing and rectification of names for traditional Chinese music. Among these are for "54" since the absolute values of the correction, another for the current "mere copycat" type of music, the phenomenon of reflection, the last hope for soul has gone into tradition, into the beauty of classical music. Chapter IV, while summing up the above-mentioned point of view put forward in the era of globalization, "rediscovered self" and then "beyond self", "Music in the West gradually" folk music "going out" concept.