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Realism And Freehand Brushwork In Screen Print

Posted on:2013-07-31Degree:MasterType:Thesis
Country:ChinaCandidate:L L YanFull Text:PDF
GTID:2175330395484351Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Which the history of the development in the engraving, the latest of aversion that is silk screen prints. As a species, while the youngest, silkscreenprints in contemporary art in an important form of artistic expression. Back inthe early20th century, the West appeared to silkscreen prints as works ofartistic expression, with the rise of Western pop art, silkscreen prints byartists widely used to their own artistic creation. In nearly a century, theWestern language studies on the technique of silkscreen prints and screenprints are now very comprehensive.China’s silkscreen prints of the pace of reform and opening to enter thecountry, a relaxed social environment and enlightened cultural policyprovides a free and broad space for its development. Especially in the21stcentury, with the continuous improvement of science and technology,equipment and materials innovation and improvement, as well as the input ofa large number of foreign media, make silkscreen prints to further acceleratethe modernization process. Young screen version of the artist with new ideasto explore the linguistic characteristics of the modern Serigraphs. This papercombines the selected the Serigraphs language build two aspects-"realisticlanguage" and "decent language" to discuss their own creative practice, willfocus on "realism" and "impressionistic" language features, and discusses the Serigraphs language conversion process and the conversion conditions.,Select the "realism" and "impressionistic" form of two languages in theSerigraphs use of meaningful thinking is an important aspect of this thesisdiscussed.
Keywords/Search Tags:Serigraphs Language, Realistic, Impressionistic
PDF Full Text Request
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