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Chinese Freehand Painting On The Country Of Rhyme

Posted on:2013-09-09Degree:MasterType:Thesis
Country:ChinaCandidate:G K ZhangFull Text:PDF
GTID:2235330374954271Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
This paper is to address the impressionistic painting impressionistic itself has the natureand essence of the East, have a distinct national culture Prose. Oil from the West, but this pieceof land in China, take root, it is China’s long historical and cultural background, through acentury of growth history, learn Chinese calligraphy, painting, literati spirit, nationalcircumstances and other nutrients gradually nurture growth. Although each step of thehardships and risks associated with growth, but the national spirit of Chinese culture has longbeen seared in the minds of those early paintings, deep-rooted, supporting, encouraging them tomove forward. Eventually completed with the West to the impressionistic realism style of theevolution and growth of the East with deep feeling, deep ethnic rhyme with Chinese elementsof freehand painting.This article from the "freehand" in Chinese history, impressionistic painting of the "ink"emotional, impressionistic paintings of literary ideas, impressionistic paintings of nationalfeeling, freehand painting the course of development, the Chinese have demonstrated theirculture of origin and impressionistic oil paintings have Oriental family rhyme.
Keywords/Search Tags:"Freehand" in Chinese history, impressionistic painting of the "ink" emotional, impressionistic paintings of literary ideas, impressionistic paintings of national feeling, the development process of freehand painting
PDF Full Text Request
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