A Study On The Color Language Innovation Of The Broken Flower And Bird Painting

Flower-and-bird painting Chinese painting as an art, an independent family inearly Tang Dynasty, Five Dynasties continued to develop and grow, and later with thedominance of the Song dynasty literati painting in the painting, ink painting graduallyestablished, rise, gradually replaced the painting became the main stream of inkpainting, the effect is more obvious. Until the yuan, Ming and Qing,"paintings,aesthetic notion ink most" lasted nearly a thousand years. During this period, even ifthe color appears in the flower-and-bird painting, and only in the traditional "style"under the premise of "with the type of colors", now with the change of the socialchange and people’s aesthetic conception, color of the flower-and-bird painting toattention, Chinese painting color performance of the more common. At the same time,the contemporary flower-and-bird painting color performance is no longer confined tothe traditional, traditional painters or mining, or from the western painting, makecontemporary flower-and-bird painting made progress in color. Based on the researchand analysis of the use of color part artist, in order to study the contemporaryflower-and-bird painting color language application.