An Analysis Of The Iconic Language In The Images Of Chinese Brush Figures

Painting in China formed in the process of evolution and development, graduallyformed a set of complete system of Oriental art. As a carrier of national culture, theChinese fine brushwork figure painting, from the start is at the beginning of choiceinto a kind of cultural model. The traditional classical art paradigm in its spiritualconnotation and form of language on the two dimensions, all concentrated reflectionand to reveal the spiritual pursuit and aesthetic ideal of Chinese culture. In nationalculture in the process of the occurrence, development and evolution,"image" effectand the provisions of the Chinese nation unique appearance and cultural valueorientation. It has a deeper constant Chang Gen sex, and connects the past, presentand future of transcendence, it like a human genes in the long history of nationalculture heritage and continue.This research topic is aimed at from the perspective of the Chinese paintingfigure painting imagery spirit connotation and essence of traditional Chinese realisticpainting figure painting, by looking for images from the classical Chinese philosophyin the source of aesthetic pursuit, combined with social reality of the development ofChinese traditional culture and traditional painting ontology, the development of anoverview of the traditional painting imagery spiritual maturation."Image schema"exists in the traditional and modern fine brushwork figure painting style andperformance characteristics were discussed and research, from the traditional Chineserealistic painting figure painting main body language Angle reveal "imagery spirit"important status. Its purpose is to try to resolve the contemporary fine brushworkfigure painting caused by rapid development, the lack of traditional foundation,cultural background is weak, loss of characteristics of Chinese painting to form andthe form of traditional Chinese realistic painting. Its important academic significancefrom the development condition analysis of the development of Chinese paintingfigure painting with western form transformation of claborate-style painting andtraditional Chinese painting experience, inheritance relations, starting from the traditional painting spirit of image was proposed to solve the current problems facedby fine brushwork figure painting creation. Hope for the development of thecontemporary claborate-style painting one or licensing the development direction isput forward.