A Study Of Piano Accompanying "Red Lantern"

In the late19th century early20th century, the piano from the west arrived in China,paino palys an important role in the development of Chinese music. Modern Chinesepiano accompany <The Red Lantern> is a revolution to opera is based on the content of<The Red Lantern>, adapted from the fusion of the western chamber music and Chineseopera style of piano works. This work has received recognition when the central leadinggroup for the cultural revolution, reverse the fate of the piano,"curve save piano" isimplemented. On creation, although the work is more of using western composingtechniques and art form, but it is the authentic Chinese flavor to achieve and Chineseculture interest, and successfully realized the piano and the first successful docking ofPeking Opera, comply with the demand of the cultural revolution period of people’saesthetic and political trend, in the special historical to create a new art form, in the21stcentury today is still widely read and loved by people, for the development of Chinesepiano, music nationalization process, and the fusion of Chinese and western music culturehas an indelible contribution.Piano accompaniment <The Red Lantern> will be the art of ancient Chinese opera, andfrom the performance of the subject matter to form, have made bold breakthrough andinnovation, especially prominent is singing and accompaniment music. On the singing, inthe form of "specialized song" to represent the characters, on the accompaniment, using apiano instead of the band, change traditional audio-visual effect, it may be said isunprecedented, after, opened up a precedent. This article from the perspective of musicontology, to the piano accompany the singing, piano accompaniment of the journal <TheRed Lantern>, percussion band is analyzed, and further discusses the artistic features andaesthetic value of the works, standing on the shoulders of our predecessors, on all aspects,multiple perspectives to analyze the work, excavate the enormous value of the work.