"Piano Suite" Op.25 Artistic Features & Technique Research

As the 20th century music giants in the history of modern music creation, Austrian composer Arnold Schoenberg (Arnold Schoenberg, in 1874-1874) has strong era characteristic, also has a great influence on the development of world music. Arnold schoenberg is thought self-taught musician, the different periods of life experience and a long and great music creation process to promote his music works with the innovative idea and innovation spirit. Arnold schoenberg’s music works has rich content and a wide range of subjects, he is good at through the novel composing technique constantly make piano play the greatest potential, greatly expand the piano performance ability. Schoenberg’s music creation concept and creation techniques also affected a large number of new generation of composer, which is influenced by its deeper with Anton von wyborne and two al Ben the belgae. Both is schoenberg’s protege, based on their music creation in schoenberg to join his understanding of music, and formed its own unique style of modern music. Not only that, in the development process of Chinese modern music is also to a certain extent, affected by schoenberg composing techniques. Our country many famous musicians such as tan dun, guo wenjing in creation when using the technique of tonal music, and this kind of technique combined with Chinese music characteristics, create a "Chinese wind" atonal music. The piano suite Op.25 is Arnold schoenberg to his late work, it is to schoenberg summarizes the significance of early music works, also marks the schoenberg innovation consciousness in the piano music creation of mature. This work is the first use "twelve-tone sound system" of the piano works, is also "twelve-tone sound system" combined with classical baroque music for the first time, reached a very high artistic realm also opens a new fashion of modern music creation.