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Study On The Excavation And Innovative Application Of Folk Paintings In Fuxian County Of Northern

Posted on:2014-12-25Degree:MasterType:Thesis
Country:ChinaCandidate:C Z LiFull Text:PDF
GTID:2175330422975306Subject:Art of Design
Abstract/Summary:PDF Full Text Request
Chinese culture has a long history, our ancestors left us a rich intangiblecultural heritage, but also had a large-scale non-material cultural heritage.Working masses in the long history of the process according to the needs oftheir own life to create a versatile forms of folk crafts, folk art has a very highcultural value, it totemism traditional Chinese society, people of the middle andlower classes, religious beliefs, local customs and habits, as the upper lowculture, and court art, literati art and other cultural together to build the Chineseculture Building.China’s social transformation, production and living conditions of thepeople and the way of unprecedented change, along with these changes, thefolk art gradually lost their survival and development space and soil, leading toa form of folk art we slowly exit life, disappear in the people’s attention. This isa historical necessity. However, with the development of the country, alongwith the material civilization, spiritual civilization common prosperity. Chineseculture to develop, it must be rooted to their own traditional culture, inherit andcarry forward the tradition of excellence, and as an important part of Chinesetraditional culture, folk art can not but concern.In northern Shaanxi cultural context to Fuxian folk smoked painting of artas an entry point, first tap the of Fuxian Kaoru painting art cultural soil, andthen from the historical heritage paint step, aesthetic characteristics do civilKaoru Painting a comprehensive study, I hope more people are able torecognize, understand Kaoru painting, Kaoru painting this ancient folk art formmore receive attention, and thus play a role in this non-material culturalheritage protection.Illustrator in China must learn from the future development of traditionalpainting Chinese story, reflect our culture. In China’s traditional folk art, oftenusing borrowed material teaser homonym ideographic approach, differenttimes, different places, different types of image combined to form a new visualimage, regarded chart will be interested, and Italy will be auspicious. Should inmodern the illustrator design in traditional view of life, the concept of happinessAmong the illustrations, then this symbolism can be reproduced andcontinuation of traditional Chinese folk art. Kaoru Painting symbolic content, color with exaggerated general theplane modeling as well as common folk can become the source of ourinspiration and learn from the application...
Keywords/Search Tags:Folk art, Kaoru painting art, traditional culture, illustrator
PDF Full Text Request
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