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The Creation Of Novels In "Pavilion" In The 1930s

Posted on:2015-02-28Degree:MasterType:Thesis
Country:ChinaCandidate:J Q MaFull Text:PDF
GTID:2175330428979437Subject:Chinese Modern and Contemporary Literature
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"Garret writers" is a product of Shanghai city culture environment."Garret writers" living in Shanghai, a dark, cramped living space (such as garret Lane Pavilion, etc.), and in the lives of those literary edge exile young writers. Representative writers:Ding Ling, Hu Yepin, Ye Zi, Ai Wu, Sha Ting, Zhou Libo, Xiao Jun, Xiao Hong, Peng Jiahuang, Ouyang Shan, Cao Ming, Jiang Muliang, Shu Qun, Luo Feng, white etc.. For people living in Shanghai were the unique living environment "garret writers", living space narrow, narrow and life and caused their inner frenzy, their depression, loneliness, radical, rebellion. The complex emotional mood will appear in the novels and the influence of "garret writers" novels. The main body of the thesis through three chapters to explain the urban experience and thirty years "garret writers" novels of the relationship.The first chapter thirty’s "garret writers" experience of space and urban space imagination. Dual squeeze in living space and social space, the thirty’s "garret writers" to experience depression, anxiety, anger, emotional, psychological imbalance. Thirty’s "garret writers" in the revolutionary context by means of literary imagination into the road, streets, and factories to prison social significance, and with the help of literature imagination way of catharsis and compensate for the lack of self space experience. The road became a revolutionary propaganda "position", the prison into a revolutionary will test field, factory as the popular literature practice "school". This spatial imagination though bound by left-wing logic, but greatly enriches the meaning of space and thirty’s literary imagination of Shanghai.The second chapter discusses the edge of experience and local writing thirty’s "garret writers" Thirty’s "double edge garret writers" experience, to stimulate the inner revolution appeal to overturn the existing unequal order, forming a "financial demands for reform in the local" township love mentality. Their local novels has resisting, native characters from the "edge" to "center", show a strong spirit of resistance. Plot of the novel structure continues to subvert the existing unequal social order in the sense of narrative. With Lu Xun, Mao Dun, Shen Congwen, the new sensation school writers local novels, thirty in the local novels of "garret writers" with strong resistance from the two aspects of local people and local rich space of modern local culture metaphor.The third chapter to the thirty’s "garret writers" in the urban space communication to be inspected, presents the way to dynamic, explore the urban space communication experience novels. Thirty’s "garret writers" by common habit forming "garret writers community", and relying on the modern newspapers, community and other modern literary institution participation in the construction of urban space. Their novels display space practice character, pay attention to communicate with readers of the novel form of socialization, showing the social characteristics. The formation of the "private space" to "public space" concept of space, enrich the China modern literature literary significance.
Keywords/Search Tags:"garret writers", urban experience, the rich, literary significance
PDF Full Text Request
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