The Experimental Integration Of Design Language In Ink And Wash Art

Modern is an era of rapid development, people’s ideas or economic level or art culture shouldbe timely changes to adapt to today’s society.In terms of ink painting, contemporary ink paintingthan any time before the ink painting has more and more broad space for learning.Designed as acontemporary practical art, exists in all aspects of daily life, especially in modern times, he is morerelated to contemporary life, so his influence is quite broad.Produce changes in the development ofThe Times that many traditional concepts, change is in order to better with age, and modernfusion.Ink painting is collide with each other in this kind of environment and programminglanguage.The localization of ink painting is China’s unique art, is our country unique soil out of theoriginal ecological art form, the cultural environment change inevitably make art form change, thisalso for the design language and ink painting together created the conditions, is a fusion of the twopossible, this may be accepted by more and more people, is accepted.Ink painting draw lessonsfrom the language of art and design, methods and ideas, design to inherit ink painting, the culturalconnotation and artistic conception expression between the two complement each other, promoteeach other, for the development of ink art with life and add details to the connotation of designart.Therefore design language and the ink painting both experimental fusion is very has theresearch value.This article begins with the introduction, not only guides the reader into the article, also shedlight on the causes and significance of topic selection.The first chapter, the introduction of thedevelopment process of art design, and according to the development of today’s society, putsforward new requirements to art design.The second chapter of the traditional Chinese ink paintingand contemporary ink painting were analyzed, and the transition from traditional ink art tocontemporary ink painting, ink painting as it is actively involved in a gesture.The third chapter, thedesign language and ink painting element decomposition comparison, through the imageexpression, the beauty of the cloth is white, sought for the intersection between art compositionelements, etc.The fourth chapter is on the basis of the previous chapter to sum up, the designlanguage and way of the combination of ink art classification, and lists some representative worksfor example.The last part is the fifth chapter, this chapter is a summary and thinking about thewhole paper, ink painting in language and a variety of art forms to explore painting in the processof integration, not to ignore the national tradition and national characteristics, the creation of theartist is not a simple change the technique of expression, but in succession on the basis of thetraditional Chinese spirit connotation and aesthetic value, will ink painting ascend to a new height.In this paper, by the methods of theory analysis, literature review, comparative research andconsult experts and teachers, such as connecting to the art of design language and the ink forcarding, analysis, summary, expect some help to the development of ink art.The author thinks thatthe involvement of design language a positive role in promoting the development of ink painting,help ink painting of the road of innovation.