Research On The Development Of Piano Prelude

Musician Frederick Francois Chopin distinguished romantic period "twenty-fourpreludes"(Op.28) is a unique art treasures. Regardless of the form or contentis verynovel, Chopin’s piano works of classic, also in nineteenth Century the romantic periodmusic of immortality. Because the piano prelude music ideaconcise and profound,musicians to Chopin’s "twenty-four preludes"(0p.28)are collectively referred to as"the romantic music". From then on, Piano Prelude emerged as an independent genreof music, marks the prelude to enter a new stage."Twenty-four preludes of Chopin"(Op.28), will let us know more abouttheformation of piano preludes this genre of music, and understanding of the romanticperiod in nineteenth Century from the style of music and how to play"twenty-fourpreludes"(Op.28) and provide theoretical basis. At the same time,as an importantcontent in the research of piano art development, and can provide very good Shi Jianand ideological resources for the present music creators, promoting the furtherdevelopment of various genres. Chopin’s piano prelude to remove the works"twenty-four preludes"(Op.28), and a separate2preludes. Because the significance ofthe study is very small, this paper makes no overview.This paper will start from the origin of the piano prelude, in-depthunderstanding of the works "twenty-four preludes"(Op.28), status and significance inthe history of the development of the piano prelude. According to the individual toChopin "twenty-four preludes"(Op.28) of Epiphany,Chopin’s Piano Prelude creationbackground, creation and style of the source,Chopin’s Piano Prelude in the creation ofthe unique artistic charm andprofound influence on nineteenth Century after the pianoprelude.