Visual Diversity

The principles of perspective formed in Renaissance. The theoretical system of itsknowledge was quite mature in18th century, and had a extremely important influenceto the development of entire Western painting. The perspective could maketwo-dimensional plane the effect of three dimensional visual, gives such a vivid visualexperience as if immersing in them. Therefore, the effective use of these principles inthe creation of art could bring a different visual feelings.This thesis makes the analysis with following the principles of perspective in theapplication of general rules in art. Frist of all, it summarizes the theory of thethree-dimensional space construction, and the different visual feelings brought fromthe space. Then, it puts forward to reconstruct the application method of perspectiveprinciple, thus changes the traditional and monotonous forms of three-dimensionalspace, and extends to the diversified forms in space, which leads to a new visualexperience. It proves the feasibility of its reconstruction through the usage on theabove theory for the examples of related painting works. Finally, the paper exploresthe application of perspective reconstruction in the field of contemporary art, andobtains a new possibility of visual experience, which diversifies the visual feelingsand space performance. Meanwhile, it also expends and develops the theory andperformance of perspective reconstruction to other domains of art.