The Semantic Category And Cognition Of Vision And Space Analogificd Word Group

Human art research is always based on the basis of space, to create the unique art formlanguage through the physical space and virtual space, and the artistic language is diverse, ofcourse, human’s participation, visual sense, and visual phenomena are unified a formation,space of art thinking ability and visual extensive property plays a vital role in art activities,form and development. From the angle of visual arts, a piece of work need complex processto be achieved before complicating, including sense experience accumulation, the analysisand processing of brain, finally, to make a visual object and form. Of course, in the formingprocess of visual art, in addition to the sense of self experience, using the existing schema andimage resources carry on the artistic creation is one of important expression ways in visualarts, this also is the important value tendency of postmodernism and post-structuralism.Whether through self senses to the realization of visual art or through this kind of form ofprocessing the existing product, it is a kind of analogifiation in the artistic thinking.In this paper, it aims at the analysis of the essential sense of the visual space inperspectives of art, literature, anthropology and sociology etc, which discusses the function ofthe eyes in the visual space, and eyes in the formation of visual phenomena and where thedevelopment of history turns to. Space, as a environment for carrying the images, occurring aconstant relationship with human, and this kind of relationship is no longer a simpledependence and accommodated relationship, with the development of science, technology andtimes, the humans’ views and use is also converting. Vision cannot depart from eyes, and eyescannot depart from the body. In addition, the body is in the proper space relationship. Wheneyes return to the body, visual experience changes, and the spatial cognition is also becomingnot only to the outside world, but also to the transformation of their own internal world,mankind own unique internal pointing, taking effect on guiding the vision comes into being,and having a decisive signification to the formation of images. People illustrate analogical thinking by making researches of iconology and image veer,as well as in art development process, which produces the visual word group, space wordgroup, and again they form the analogical relevance.Chinese unique analogy thinking characteristics are the major factors of formation ofChinese culture, In Chinese poetry the Fu, Bi, Xing are exactly the culture analogifiedcharacteristic, and principles in the "book of changes" are more used from analogy change. Inhighly refining the art of "empty" space makes the space of Chinese culture much morehighlighted. The formation of the Chinese painting art is established in the foundation ofChinese thinking for analogy change and the space on the concept of "empty", in which itsinnermost metaphorical meaning is grand.