On The "Duality" Of The Basic Connotation Of Modeling

During a few decades of process, Chinese painting has been influenced by the westernclassical realism, modern art, post-modern art, striking one snag after another. Traditional ormodern, national or world, are always the main topics of debate. With the impact ofcontemporary art, focusing on single training in the realistic foundation has been changing inrecent years, college teaching, and multiple training began to appear. But the influence ofclassical realistic training based on current college teaching is still the main stream. Amongsuch colorful and complex background, how to select the basic training in practice is a bigquestion. Lack of vitality and blind, will the traditional basic training come to an end?Focusing on the sketch and color, around the relationship of restriction and non-restrictionof the basic connotation duality, I’ll present you the analysis and demonstration of Rheologicalmodeling and the significance of non restrictive factors in the connotation from the angle oftheory and practice.This paper consists of four parts, the first part is the definition of "duality" concept; thesecond part is the analysis of the objective existence of "restrictive” through the "aesthetictradition and the times", the third part is to clarify the significance of the "non restrictivefactors" through the comparison between the traditional and contemporary basic foundationform and the analysis on the combination of eastern and Western masterpiece, the fourth partis the conclusion, which propose that we must inherit the past, but we should also be open tothe variation of art, how to strengthen confidence and inject new vitality in basic training.