Gems In Color - Ultramarine

In the contemporary oil painting form diversified development at the same time, we must pay attention to the development history of the changes of the times, painting, painting is no longer simply techniques work, should pay more attention to the research on the essence of painting materials to better the painting emotion and spirit to the picture, can further understanding and profound understanding to the existing frame on the significance of painting. The effect of color in the picture reflects the subjective thoughts and feelings of the author, the visible color in the painting’s status is not can replace sb.. Study of color not to talk about this technique, only the "unique position and value of Ultramarine" occupied in color, the author discusses the essential characteristics and painting is how to use the ultramarine blue, with a special form of painting language of accurate expression.This paper is based on the "origin of Ultramarine" accountability, in western culture,"I", the exploration and development of the historical evolution of ultramarine. And summarizes the ultramarine in painting shows different meaning and emotion, application of Ultramarine with age typical representative of Western painting, master of the works are detailed, and reveals the ultramarine understanding can be better help the painting in the painting creation when the importance of technology, combined with the concept of and feeling better this symbiotic harmony. Analysis of Ultramarine meaning at the same time, the author also combine their own in painting practice and experience on the awareness and understanding of ultramarine. As the main body of people from feeling, emotion and imagination to understand how human position will understand the color better emotion through reasonable art displayed on the screen and accurately convey.One of the innovations of this thesis lies in the single color--"I", the comb in the history appearance, use, and effects, and the "dark blue" history and culture are digging deeper. The reason is in the present to study painting in the "I" emotional expression is not complete, based on the viewpoint of comparative study, exploring in the same period, ultramarine originated in the East and West cultural similarity and uniqueness. The author, in the history of the development of East West pigment ultramarine as the basis, to the East, ultramarine Western painting in the art of color language were compared to demonstrate, in order to leave some good research materials for painting. This research tries to put all the traits of creation practice, the author’s own feelings and talk about the history of painting master works "ultramarine" made by comparison and summary, in the procedure of verifying each other to discuss the close relationship between the expression and ultramarine feelings in the painting in the exhibition, and puts forward some Reflections on his study of the painting color.We want to emphasize that, painting the appeal not only reflected in the picture and the present in the evolution of each color, at the same time is for each color culture and emotion, so attention should be paid to both color and emotional expression of painting consciousness, as the color of precious stones--understanding of ultramarine.